Tom Howard - View From The Bridge
Review by vijay rangra
Tom Howard's album, View From The Bridge, is a delightful collection of instrumental music that showcases the artist's mastery of the piano. The album features ten original compositions, each one a unique and captivating piece of music.
From the opening track, "View From The Bridge," the listener is transported to a world of beauty and tranquility. The gentle, flowing melodies of the piano are accompanied by subtle percussion and rich, warm strings. The result is a sound that is both soothing and uplifting.
Throughout the album, Howard's skill as a composer and pianist is evident. His compositions are complex and nuanced, yet always accessible and enjoyable. Whether he is playing a gentle ballad like "Aria" or a more upbeat piece like "Rain Dance," Howard's touch on the keys is always sensitive and expressive.
One of the standout tracks on the album is "The Crossing." This piece begins with a haunting melody played on the piano, which is then joined by a mournful cello. As the music builds, the percussion and strings come in, creating a dramatic and emotional climax.
Table of Contents
Download
Filename: tom-howard-view-from-the-bridge.rar- MP3 size: 57 mb
- FLAC size: 440 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Marriage Of Our Souls | ||
| Intro | ||
| One More Reason | ||
| To Learn By Living | ||
| All Through The Day | ||
| She Likes To Look At Pictures | ||
| Come On In | ||
| We All Mean Very Well | ||
| Blessed Are The Children | ||
| Mansion On The Sand |
Video
Images
Catalog Numbers
- ROCKY 3
- SRA 2003
Labels
Solid Rock RecordsListen online
- écouter en ligne
- kuunnella verkossa
- ascolta in linea
- escuchar en línea
- lyssna på nätet
- online anhören
- lytte på nettet
- ouvir online
- online luisteren
Formats
- Vinyl
- LP
- gatefold sleeve
- Album
- Gatefold
Companies
| Role | Company |
|---|---|
| Printed By | Robert Stace |
Credits
| Role | Credit |
|---|---|
| Acoustic Guitar | Randy Stonehill |
| Harmony Vocals | Randy Stonehill |
| Bass | Jimmy Johnson |
| Congas | Vance Tenort |
| Cabasa | Vance Tenort |
| Drums | Peter Johnson |
| Percussion | Peter Johnson |
| Electric Guitar | Wayne Johnson |
| Engineer | Jonathan David Brown |
| Keyboards | Max McCoy |
| Flugelhorn | Max McCoy |
| Producer | Larry Norman |
| Arranged By | Larry Norman |
| Photography | Larry Norman |
| Saxophone | Jim Coile |
| Flute | Jim Coile |
| Written By | Tom Howard |
| Orchestrated By | Tom Howard |
| Conductor | Tom Howard |
| Piano | Tom Howard |
| Electric Piano | Tom Howard |
| Lead Vocals | Tom Howard |
Notes
- Tapes prepared at Solid Rock, Davlen, and Mama Jo's
- Mastered at ABC
- Graphic Production by Liza McDonald
- Album design by Larry Norman
- (c) 1977 Joyful Road Music (BMI) (All Tracks)
- (p) & (c) Solid Rock Records
Barcodes
- Matrix / Runout ((Side 1)): SRA-2003-A-RE-1 >
- Matrix / Runout: SRA-2003-B-RE-1 >
About Tom Howard
Real Name
- Thomas Lynn Howard
Name Vars
- Howard
- T. Howard
- Tom
- Tom Howard (as though he were falling from a tree)
- Toward
Aliases
- Dorian
Tom Howard, from View From the Bridge
Self-imposed outside, weary from defeat
Without your true provider within, you’re incomplete
I thought I saw you standing just outside the door
The places are prepared now; What are you waiting for?
Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
Such a grand provision, perfect in its plan
He gave us a decision, yeah, put it in our hands
Preach the truth in love here, free to disobey
Open up and enter in, or turn and walk away
Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
(Instrumental break)
Where they’re seen a-falling, you know the flowers shall appear
Can’t a-fill this crawling, you know the body flies near
Here we find the secret; the fact is very plain
Cling to life or lose it, surrender entertain
Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
Ah, Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin
Woah, come on in (Come on in)
Come on in (Come on in)
It’s well past time to begin
Woah, Come on in (Come on in)
Come on in (Come on in)
It’s well past the time to begin (It’s well past the time to begin)
It’s well past the time to begin (It’s well past the time to begin)
It’s well past the time to begin (It’s well past the time to begin)
It’s well past the time to begin (It’s well past the time to begin)