Anton Bruckner Eugen Jochum, Maria Stader, Chor des Bayerischen Rundfunks, Chor der Deutschen Oper Berlin, Berliner Philharmoniker - Symphonie Nr 7 3 Motetten 150 Psalm
Review by Noor Alwani Zolkifli
The album Symphonie Nr 7 3 Motetten 150 Psalm by Anton Bruckner, performed by Eugen Jochum, Maria Stader, Chor des Bayerischen Rundfunks, Chor der Deutschen Oper Berlin, and Berliner Philharmoniker, is a masterpiece of classical music. The album features three of Bruckner's most famous motets, as well as his seventh symphony and 150th psalm.
The performance by Jochum and the orchestras is flawless, with every note perfectly executed and every emotion conveyed. The symphony is a work of genius, with its intricate melodies and complex harmonies creating a mood of both grandeur and melancholy. The motets, meanwhile, are hauntingly beautiful, with Stader's angelic voice soaring above the choirs and orchestra.
The album is a must-have for any classical music lover, showcasing the talent of some of the greatest musicians of the 20th century. The recording quality is excellent, capturing every nuance of the performances and allowing the listener to fully immerse themselves in the music.
Album: Symphonie Nr 7 3 Motetten 150 Psalm
Rating: 5.0
Table of Contents
Download
Filename: anton-bruckner-eugen-jochum-maria-stader-chor-des-bayerischen.rar- MP3 size: 97.2 mb
- FLAC size: 619.2 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Graduale »Christus Factus Est Pro Nobis« (Komp. 1884) | ||
| Psalm No. 150 For Solo-Soprano, Chorus Of Men And Women And Orchestra | 8:48 | |
| 3. Satz: Scherzo: Sehr Schnell | ||
| Symphony No. 7 In E Major | ||
| Graduale "Os Justi" For 8 Part-Choirs In F Major | 5:02 | |
| Graduale »Os Justi« (Komp. 1879) | ||
| 4. Movement: Finale: Bewegt, Doch Nicht Schnell | 12:29 | |
| Symphonie Nr. 7 E-dur (Originalfassung) | ||
| 2. Movement: Adagio Sehr Feierlich Und Langsam | 24:58 | |
| 2. Satz: Adagio: Sehr Feierlich Und Langsam | ||
| Graduale "Christus Factus Est" For 4 Part-Choirs In D Minor | 5:55 | |
| 1. Satz: Allegro Moderato | ||
| 3. Movement: Scherzo: Sehr Schnell | 9:37 | |
| 150. Psalm | ||
| Hymnus »Vexilla Regis« (Komp. 1892) | ||
| "Vexilla Regis" For 4 Part-Choirs In E Major | 6:05 | |
| 1. Movement: Allegro Moderato | 20:32 | |
| 4. Satz: Finale: Bewegt, Doch Nicht Schnell |
Images
Catalog Numbers
- DG 9138, DGK 9138
- 139 137/38 SLPM, SLPM 139 137/38
- 2707 026
Labels
Deutsche GrammophonListen online
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- online anhören
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Formats
- Reel-To-Reel
- 7 ½ ips
- ¼"
- 4-Track Stereo
- 7" Cine Reel
- Double Play
- 2 × Vinyl
- LP
- Stereo
- Reissue
Companies
| Role | Company |
|---|---|
| Manufactured By | Ampex |
| Printed By | Gebrüder Jänecke |
Credits
| Role | Credit |
|---|---|
| Art Direction | Wolfgang Lohse |
| Composed By | Anton Bruckner |
| Conductor | Eugen Jochum |
| Engineer | Klaus Scheibe |
| Liner Notes | Constantin Floros |
| Orchestra | Berliner Philharmoniker |
| Chorus | Chor des Bayerischen Rundfunks (tracks: D1 to D3) |
| Chorus Master | Wolfgang Schubert (tracks: D1 to D3) |
| Recording Supervisor | Wolfgang Lohse |
Notes
- with insert
- Catalog number as on front cover: 139 137/38 SLPM
- Catalog number as on spine: SLPM 139 137/38
- ——Center labels info——
- Bright yellow labels with tulip borders
- ——Sleeve info——
- Laminated gatefold sleeve
- Includes lyrics
- „Deutsche Grammophon Gesellschaft“
- 2 LP - STEREO 2707 026 ST 33
- Includes lyrics in Latin, German, English, and French
- „Deutsche Grammophon“
- Bright yellow labels with straight borders
Barcodes
- Matrix / Runout (Matrix side A): 139 137 A
- Matrix / Runout (Matrix side B): 139 137 B
- Matrix / Runout (Matrix side C): 139 138 A
- Matrix / Runout (Matrix side D): 139 138 B
About Anton Bruckner Eugen Jochum, Maria Stader, Chor des Bayerischen Rundfunks, Chor der Deutschen Oper Berlin, Berliner Philharmoniker
Austrian organist and composer, born September 4, 1824, in Ansfelden, died October 11, 1896, in Vienna.
In 1855 he began to seriously study music in Vienna and graduated in 1861 at the age of 37.
It was only at 40 that he began to devote himself seriously to composition.
since 1868 he has taught organ and counterpoint at the conservatory of Wien, meanwhile, he makes himself known as an organ concert player.
His work was initially appreciated only by a small circle of admirers, only after his death, his great symphonic-choral compositions began to find acclaim and enthusiastic admirers in Europe and around the world.
Josef Anton Bruckner best known for his symphonies, masses, Te Deum and motets. His symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Please, add composer revision year for Symphonies 1, 2, 3, 4 and 8.
Please, add score revision credit with tag "Score Editor" on all symphonies.
If it is uncredited you can check your recording at https://www.abruckner.com/discography/.
More common score editors are by and (here, please, also add score year).
Real Name
- Josef Anton Bruckner
Name Vars
- A. Bruckner
- A. Brukners
- A. Brückner
- A. bruckner
- A.Bruckner
- Anton Brucker
- Anton Brückner
- Antón Bruckner
- Bruchner
- Bruckner
- Bruckner A.
- Bruckner Anton
- Brückner
- Handel
- Josef Anton Bruckner
- Joseph Anton Bruckner
- Orchestre De La Francophonie Canadienne
- Μπρούκνερ
- А. Bruckner
- А. Брукнер
- Антон Брукнер
- Брукнер
- Йозеф Антон Брукнер
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