William Basinski - Watermusic

Review by Rahul Reja

Watermusic, the album by William Basinski, is a mesmerizing and thought-provoking piece of art that takes the listener on a journey through soundscapes that evoke images of water and its many forms. The album consists of two long-form tracks, each over 20 minutes in length, and is composed entirely of manipulated field recordings of water in various forms, combined with subtle ambient textures and drones.

The first track, "Watermusic I," begins with the sound of gentle waves lapping against the shore, gradually building in intensity and complexity as Basinski adds layers of sound, creating a hypnotic and immersive environment that feels both familiar and otherworldly. As the track progresses, the sounds become more abstract and otherworldly, with echoes and reverberations creating a sense of depth and space that is both calming and unsettling.

The second track, "Watermusic II," is more experimental and avant-garde, with Basinski using water sounds as a foundation for more abstract and dissonant textures. The track feels more ominous and unsettling than the first, with haunting echoes and metallic clanks punctuating the sounds of dripping water and rushing currents.

Summary by Rahul Reja

Watermusic is a stunning achievement in sound art, showcasing Basinski's ability to create immersive and evocative soundscapes using only the simplest of materials. The album is a must-listen for fans of ambient and experimental music, and is sure to leave a lasting impression on anyone who takes the time to immerse themselves in its hypnotic sounds.