Various - The Fisher Fidelity Standard
Review by Mohammad Didehvar
The Fisher Fidelity Standard is a remarkable album that showcases the very best of various artists in the music industry. This album is a must-have for anyone who loves great music.
The album is a collection of songs that are uplifting, emotional, and inspiring. Each track on the album is unique and offers something different for the listener. The album features a diverse range of artists, from established musicians to up-and-coming artists.
The production quality of the album is top-notch. The sound is crisp, clear, and balanced, making it a pleasure to listen to. The instrumentation is also impressive, with each instrument adding a unique layer to the music.
Table of Contents
Download
Filename: various-the-fisher-fidelity-standard.rar- MP3 size: 54.4 mb
- FLAC size: 662.4 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Song For Lynn | ||
| That's A Plenty | ||
| Soul Drift | ||
| Nocturne, Opus 48, No. 1, In C Minor | ||
| First Movement (March) | ||
| Introduction | ||
| Jazzy Jack | ||
| Brandenburg Concerto No. 3 In G Major First Movement (Allegro) | ||
| Let It Be | ||
| L'Histoire Du Soldat (Suite) | ||
| Concluding Movement (Triumphal March Of The Devil) | ||
| Rock My Soul | ||
| Othello | ||
| Sound Demonstrations | ||
| Don Giovanni, Act I "Ah, Fuggi Il Traditor" | ||
| Concerto In C Major For Two Trumpets First Movement |
Video
The Fisher Fidelity Standard Stereo Demonstration LP (Part 2) from 1972.
The Fisher Fidelity Standard Stereo Demonstration LP (Part 4) from 1972.
The Fisher Fidelity Standard Stereo Demonstration LP (Part 3) from 1972.
Emanuel Vardi - Othello
The Fisher Fidelity Standard Stereo Demonstration LP (Part 1) from 1972.
Images
Catalog Numbers
FIQ-51072Labels
FisherListen online
- lyssna på nätet
- kuunnella verkossa
- lytte på nettet
- online anhören
- ascolta in linea
- écouter en ligne
- escuchar en línea
- online luisteren
- ouvir online
Formats
- Vinyl
- LP
- Album
- Stereo
- Quadraphonic
Companies
| Role | Company |
|---|---|
| Copyright (c) | Fisher Radio |
| Published By | Vardi Music, Inc. |
| Recorded At | Mediasound |
Credits
| Role | Credit |
|---|---|
| Alto Saxophone | Lenny Hambro (tracks: A3, A6, A9) |
| Soprano Saxophone | Lenny Hambro (tracks: A3, A6, A9) |
| Alto Flute | Lenny Hambro (tracks: A3, A6, A9) |
| Piccolo Flute | Lenny Hambro (tracks: A3, A6, A9) |
| Art Direction | Edward Rostock, Muller Jordan Herrick Inc. |
| Cover | Edward Rostock, Muller Jordan Herrick Inc. |
| Design | Edward Rostock, Muller Jordan Herrick Inc. |
| Bass | Bobby Cranshaw (tracks: A5, A7, A8) |
| Cello | Alan Shulman (tracks: B1, B5, B6), Charles McCracken (tracks: B1, B5, B6), Eleanor Slatkin (tracks: B1, B5, B6) |
| Clarinet | Lenny Hambro (tracks: A5, A7, A8) |
| Conductor | Emanuel Vardi (tracks: B1 to B3, B5, B6) |
| Double Bass | Donald Palma (tracks: B1 to B3, B5, B6) |
| Drums | Grady Tate (tracks: A5, A7, A8), Ronald Zito (tracks: A3, A6, A9) |
| Electric Bass | Russell George (tracks: A3, A6, A9) |
| Engineer | Fred Christie, Neal Ceppos |
| Executive-Producer | Muller Jordan Herrick Inc., Peter Aczel |
| Guitar | Aram Schefrin (tracks: A3, A6, A9), Jay Berliner (tracks: A3, A6, A9) |
| Harpsichord | Jocelyn Chaparro (tracks: B1, B5, B6) |
| Leader | Emanuel Vardi (tracks: A9), Lenny Hambro (tracks: A5, A7, A8), Mike Zager (tracks: A3, A6) |
| Photography By | Steve Nichols |
| Piano | Derek Smith (tracks: A5, A7, A8) |
| Organ | Mike Zager (tracks: A3, A6, A9) |
| Producer | Emanuel Vardi, Lenny Hambro, Vardi & Hambro Productions, Inc. |
| Trombone | Harry DiVito |
| Trumpet | Mel Davis (tracks: A5, A7, A8), Randy Brecker (tracks: A3, A6, A9) |
| Viola | Alfred Brown (tracks: B1, B5, B6), Emanuel Vardi (tracks: A3, A6, A9), Hugh Loughran (tracks: B1, B5, B6), Richard Maximoff (tracks: B1, B5, B6) |
| Violin | David Nadien (tracks: B1, B5, B6), Harold Kohon (tracks: B1, B5, B6), Harry Cykman (tracks: B1, B5, B6), Matthew Raimondi (tracks: B1, B5, B6), Paul Gershman (tracks: B1, B5, B6), Raoul Poliakin (tracks: B1, B5, B6) |
Notes
- Ivy Duo-Pak gatefold
- Subtitle on front cover, inside gatefold, and on labels:
- A low-distortion musical program source for evaluating high-fidelity equipment.
- Printed inside gatefold:
- Recorded exclusively for Fisher Radio in compatible stereo/4-channel sound.
- The pop side was recorded in Studio B of Mediasound, Inc.
- The classical side was recorded in the same organization's Studio A
- All selections have been matrix-encoded with the SQ system developed by CBS Laboratories.
- Recording studios: Mediasound, Inc., New York, N.Y.
- © Copyright 1972 Fisher Radio
- Publishing on back cover:
- A3, A5, A7, A9: Vardi Music, Inc./BMI
- A6: Maclen Music Inc./BMI
- A8: George Simon, Inc./ASCAP
Barcodes
- Rights Society (A3, A5 to A7, A9): BMI
- Rights Society (A8): ASCAP
- Matrix / Runout (A-Side label): FI-51072A
- Matrix / Runout (B-Side label): FI-51072B
- Matrix / Runout (A-Side runout stamped, Q etched): FIQ-51072A-2
- Matrix / Runout (B-Side runout stamped, Q etched): FIQ51072B-2
Summary by Mohammad Didehvar
Comments
I have this LP too! Very interesting record. I collect demonstration records.
would like to find a demo album for fisher, or Magnavox, or Zenith, RCA...
I purchased this LP in 1972 - Still have it and it's in mint condition. This album takes me back to the days of quadraphonic stereo systems and 8-tracks!
i have this LP..had since it was released in 1972..Excellent 4 channel audio.Sounds great on 5.1
Never heard of this demonstration before. This record was made by Fisher Radio, which is the same company that made all kinds of stereo equipment. The only one I have is a BSR turntable from Fisher. Avery Fisher was a true genius who made Fisher a success.
Thanks again for listening to this album. I might have a 1960's Stereo Review magazine stereo demonstration record in storage that I could also post sometime when I find it.
Well, I couldn't resist and started to wade in to your recent list of uploads and found this incredible recording. Avery Fisher is an icon of American ingenuity in developing stereo and was a frequent visitor too the IIT Reserch Institute where I worked. The institute had a sound lab par excellence (this was back in the late 60s). This is awesome Lloyd.
What? Pushing 80 views and no comments ? Too dumbfounded to comment I guess. LOL JK Lloyd these are interesting.
I like finding these abstract demonstration LP records when they show up at the thrift shop. Thanks Mike for checking it out...Friends, Lloyd.
Lloyd ... King of abstract recordings !! But cool non the less !
???????? Fire
