Theatre of Early Music, Daniel Taylor , Schola Cantorum - The Vale of Tears La vallée des pleurs

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Review by Rachel Krueger

The album, The Vale of Tears La vallée des pleurs by Theatre of Early Music, Daniel Taylor, Schola Cantorum is a stunning collection of baroque music that transports listeners to another time and place. The ensemble's intricate harmonies and emotive performances create a sense of melancholy and introspection that perfectly captures the spirit of the era.

Led by the talented Daniel Taylor, the Theatre of Early Music and Schola Cantorum deliver a masterful performance that showcases their deep understanding and appreciation of baroque music. The carefully chosen repertoire includes works by some of the most celebrated composers of the time, such as Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.

The album's standout tracks include "Stabat Mater" by Giovanni Battista Pergolesi and "Lamento della Ninfa" by Claudio Monteverdi. These pieces are beautifully arranged and performed, with each note and phrase executed with precision and passion.

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Artist: Theatre of Early Music, Daniel Taylor , Schola Cantorum
Album: The Vale of Tears La vallée des pleurs

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Tracks

TrackDurationPreview
Musae Sioniae VIII (Muses of Sion)(1:14)
Musae Sioniae VIII (Muses of Sion) (1:52)
III. Cantique de B. Simeonis : Herr, nun lässest Du Deinen Diener (Seigneur, maintenant laisse ton serviteur partir)4:18
II. Motet : Herr, wenn ich nur dich habe (Seigneur, si je n'ai que toi)3:02
II. Récitatif (basse) : Die sündige Geburt verdammter Adamserben (La naissance pécheresse des héritiers damnés d'Adam)1:22
IV. Récitatif (basse) : Ich habe ja, mein Seelenbräutigam (J'ai en effet, fiancé de mon âme) 2:08
Mit Fried und Freud ich fahr dahin (Dans la paix et la joie, je m?en vais)1:52
I. Messe: Concert in Form einer teutschen Begräbnis - Missa (Concerto dans la forme d'une messe de requiem allemande)25:08
Musikalische Exequien Op. 7, SWV 279-281 (Obsèques musicales)
III. Aria (alto): Jesu, der aus großer Liebe (Jésus, qui par grand amour)2:53
V. Aria (tenor / ténor): Jesu, meines Todes Tod (Jésus, mort de ma mort)3:05
O heilges Geist- und Wasserbad, Cantata / Cantate BWV 165
I. Aria (sopranoo) : O heilges Geist- und Wasserbad (O, saint bain d'eau et d'Esprit)3:43
Hört auf mit Weinen und Klagen (Cessez de pleurer et de vous lamenter)1:14
Chorale : Sein Wort, sein Tauf, sein Nachtmahl (Sa parole, son baptême, son souper)0:38

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Catalog Numbers

AN 29144

Labels

Analekta

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Formats

CD

Companies

RoleCompany
Recorded AtHumbercrest United Church, Toronto

Credits

RoleCredit
Alto VocalsJennifer Routhier, Jessica Wright , Kristina Alexander, Kyle Guilfoyle, Peter Mahon, Rebecca Claborn, Ryan McDonald , Simon Honeyman
Bass VocalsAlexander Dobson, David Roth , Geoffrey Sirett, Graham Robinson
ChoirChoir Of The Theatre Of Early Music, Choir Of The Schola Cantorum
ConductorDaniel Taylor
DesignSimon L'Archevêque
Double BassAlison Mackay
EngineerJeremy Tusz
Executive-ProducerFrançois-Mario Labbé
Directed ByFrançois-Mario Labbé
HarpsichordChristopher Bagan
Liner NotesGregory S. Johnston
LuteSylvain Bergeron
OrchestraOrchestra Of The Theatre Of Early Music
OrganPaul Jenkins
ProducerCarl Talbot
Mixed ByCarl Talbot
Mastered ByCarl Talbot
Production ManagerJulie M. Fournier
Soprano VocalsAgnes Zsigovics, Bronwyn Thies-Thompson, Elizabeth Hetherington, Ellen McAteer, Erin Cooper-Gay, Hannah Tarder-Stoll, Julia Morson, Michele Deboer, Rebecca Genge
Tenor VocalsCharles Davidson , David Arnot-Johnson, Isaiah Bell, Jean-Philippe Fortier-Lazure, Rufus Müller
ViolaPatrick Jordan
ViolinCristina Zacharias, Kathleen Kajioka

Notes

Recorded April 2014, Humbercrest United Church, Toronto.

Barcodes

Barcode: 774204914424

About Theatre of Early Music, Daniel Taylor , Schola Cantorum

The Theatre of Early Music is an Canadien ensemble sharing a particular passion for early music founded by

Name Vars

  • Orchestra Of The Theatre Of Early Music
  • Theater of Early Music

Members

  • Chris Palameta
  • Ellie Nimeroski
  • Sarah McMahon
  • Richard Campbell
  • Elizabeth Kenny
  • Chloe Meyers
  • Isabelle Bozzini
  • Stéphanie Bozzini
  • Myron Lutzke
  • Karen Kaderavek
  • Jacob Heringman
  • Kathleen Kajioka
  • Nicholas Kraemer
  • Rachel Brown
  • Stephen Stubbs
  • Laurence Cummings
  • Douglas McNabney
  • Adrian Butterfield
  • Alison Mackay
  • Scott Metcalfe
  • Jacques-André Houle
  • Matthew Jennejohn
  • Daniel Taylor
  • Susie Napper
  • Margaret Little
  • Cristina Zacharias
  • Reuven Rothman
  • Matthew Halls
  • David Miller
  • Helène Plouffe
  • Jean Paterson
  • Erin Helyard
  • Julia Wedman
  • Peter Mahon
  • Cynthia Roberts
  • Nicolas Lessard
  • Nicole Trotier
  • Sylvain Bergeron
  • Richard Paré
  • John Abberger
  • Patrick G. Jordan
  • Elly Winer
  • Sophie Larivière
  • Olivier Brault
  • David Jacques
  • Pemi Paull
  • Gonzalo Ruiz
  • Alexander Weimann
  • Francis Colpron
  • Éric Lagacé
  • Benjamin Raymond
  • Amanda Keesmat
  • Matthew Wadsworth
  • Kathia Robert
  • Jeremy Gordon
  • Christopher Jackson
  • Denis Juget
  • Julian Wachner
  • Grégoire Jeay
  • John Thiessen
  • Karol Gostynski
  • Hélène Brunet
  • Charlene Yeh
  • Jonathon Adams
  • Julia Morson
  • Simon Honeyman
  • Ellen McATeer
  • Geoffrey Sirett
  • Joel Allison
  • Jacques-Olivier Chartier
  • Kyle Guilfoyle
  • Paul Jenkins
rkrueger08

Summary by Rachel Krueger

The Vale of Tears La vallée des pleurs is a must-have for any fan of baroque music. The Theatre of Early Music, Daniel Taylor, and Schola Cantorum have created an exceptional album that is sure to leave a lasting impression on listeners. It is a true masterpiece of the genre and a testament to the enduring power of classical music.