Pink Floyd - The Massed Gadgets Of Auximines
Table of Contents
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Tracks
Track | Duration | Preview |
---|---|---|
Nightmare (Cymbaline) | ||
Beset By The Creatures Of The Deep (Careful With That Axe Eugene) | ||
The Narrow Way (Part 3) | ||
Daybreak (Reprise) | ||
Sleep & Nightmare (Cymbaline) | 10:55 | |
Afternoon (Biding My Time) Doing It (Party Sequence) | ||
Daybreak (Granchester Meadows) Work | ||
Behold The Temples Of Light (unreleased instrumental) | 6:42 | |
Interstellar Overdrive | 11:14 | |
Doing It (Syncopated Pandemonium) | 5:18 | |
Behold The Temples Of Light | ||
Daybreak (part 2) (Grantchester Meadows reprise) | 2:25 | |
Afternoon (Biding My Time) | 5:25 | |
Sleeping (Quicksilver) | ||
The Pink Jungle (Pow R. Toc H.) | ||
The Labyrinths Of Auximenes (Interstellar Overdrive/Walking Sequence) | ||
Granchester Meadows | ||
Daybreak (Part 1) (Grantchester Meadows) | 6:16 | |
The End Of The Beginning (Closing Section From Saucerful Of Secrets) | ||
Work (unreleased instrumental) | 8:39 | |
The Beginning (Green Is The Colour) |
Video
Pink Floyd 1969 Royal Festival Hall rehearsal
Images
Catalog Numbers
- HL282
- HRV CDR 009
Labels
- Highland
- Harvested
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Formats
- CD
- Unofficial Release
- 2 × CDr
Companies
Role | Company |
---|---|
Recorded At | Royal Festival Hall |
Notes
- Live at Royal Festival Hall, South Bank, London, England April 14th 1969.
- Track 1: 'Daybreak' (6.16) is another name for 'Grantchester Meadows', and features
- beautiful piano solos from Wright and high harmony vocals from Gilmour on
- the chorus, similar to the shortened version they played for BBC's
- "Nightride" program a month later.
- Track 2: 'Work' (8.39) is an experimental piece made up of percussion and sound
- effects of trains or machines or something. It runs a bit long, perhaps.
- Track 3: 'Afternoon' (5.25) is a version of 'Biding My Time', and a very cool and
- different one too, with a nice piano intro by Wright and great jamming at the end.
- Track 4: 'Doing It' (5.18): This was a pleasant surprise, with very agressive
- drumming by Mason, and organ added on the top. It is similiar in style to
- 'Up The Khyber', the only PF song written by Mason/Wright.
- Track 5: 'Sleep & Nightmare' (10.55): The first minutes of this piece are similiar
- to Amsterdam 17/9/69, with heavy breathing and strange psychedelic noises,
- but instead of 'Cymbaline', we then just get more instrumental ambience, dominated by Wright's spacey organ.
- Track 6: Daybreak 2 (2.08): This is just a collage of soundeffects; birds, ticking clocks and the other usual suspects.
- Track 7: 'The Beginning' (4.35) is another name for 'Green is the Colour', and is
- similiar to the studio version with aucustic guitar and piano. You can hear
- sound effects of seagulls and splashing waves, and the whole thing gives heavy associations to a lazy beach idyll.
- Track 8: As we get 'Beset by Creatures of the Deep' (8.25), there seems to be storm
- coming up; we hear strong wind, and the splashing waves becomes more
- menacing. This version of 'Careful With That Axe, Eugene' is an unusual one, with piano during the first two minutes.
- Track 9: The Narrow Way (4.45) features a cool, psychedelic guitar lead from
- Gilmour, but the vocals are almost inaudible during the chorus part.
- Track 10: The Pink Jungle (4.17) is different from the Amsterdam show, since they
- don't play 'Pow R. Toc H.', but instead a drum beat with animal noises (part Waters, part pre-recorded) added on the top.
- Track 11: 'The Labyinths of Auximenes' (8.30) has more weird improvisation. It is different from the Amsterdam 17/9/69 show, but has a footstep sequence.
- Track 12: 'Behold the Temple Of Light' (6.41) This instrumental has sometimes been
- described as an intrumental version of 'The Nile Song', but that is just
- plain false. This version is quite similar to Amsterdam 17/9/69, and while
- it isn't terribly interesting on it's own, it works well within the context.
- Track 13: 'The End of the Beginning' (4.53): The last half of ASOS (which includes
- Storm Signal and not only Celestial Voices) provides a majestic finale to a
- truly magnificent journey.