Pat Benatar - Tropico

Review by Peilin Corbanese

Tropico, the fifth studio album by Pat Benatar, is a vibrant and eclectic collection of songs that showcase the singer's versatility as an artist. Released in 1984, the album features a range of styles, from the driving rock of "Painted Desert" to the sultry, Latin-tinged "Ooh Ooh Song."

One of the standout tracks on the album is "We Belong," a soaring ballad that became a chart-topping hit for Benatar. With its lush production and heartfelt lyrics, the song remains a fan favorite to this day.

Another standout track is "Lipstick Lies," a funky, guitar-driven tune that showcases Benatar's rock 'n' roll roots. The song's catchy chorus and infectious groove make it a standout on the album.

Artist: Pat Benatar
Album: Tropico

1985

Rating: 3.4

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Tracks

Track	Duration	Preview
We Belong (Nos Pertenecemos)
Pertenecemos (We Belong)	3:40
Love In The Ice Age	4:08
A Crazy World Like This (Conclusion)
Diamond Field = Campo De Diamantes	3:20
In A Crazy World Like This	4:02
Héroes Temporarios (Temporary Heroes)	4:22
Ooh Ohh Song
Love In The Ice Age (Amor Glacial)
The Outlaw Blues	3:47
Desierto Pintado (Painted Desert)	5:22
Suburban King	1:45
A Crazy World Like This	4:4
Diamond Field	3:22
A Crazy World Like This = Nuestro Mundo Loco	4:02
Rated X
Ooh Ooh Song (La Canción Del Oh)
Ohh Ooh Song
Takin' It Back	4:02
Painted Desert (Desierto Pintado)
The Outlaw Blues = El Blues Del Fugitivo	3:47
We Belong = Nos Pertenecemos	3:40
Takin' It Back	4:02
A Crazy World Like This (Nuestro Loco Mundo)
Love in the Ice Age
The Outlaw Blues (El Blues Del Fugitivo)
Recibiendo A Cambio (Takin' It Back)	4:02
Temporary Heroes = Héroes Temporales	4:22
Temporary Heroes	4:22
Rey Suburbano (Suburban King)	1:45
Love In the Ice Age	4:6
Takin' It Back	4:7
Suburban King = El Rey De Los Suburbios	1:45
Love Is A Battlefield
The Outlaw Blues	3:47
In A Crazy World Like This	4:02
Outlaw Blues	3:48
We Live For Love
Takin' It Back (De Regreso)
Suburban King	1:47
Painted Desert	5:22
We Belong	3:40
Temporary Heroes	4:24
Ooh Ooh Song	4:06
We Belong	3:41
Ooh Ooh Song = La Canción Del Oh	4:06
Ohh Ohh Canción (Ooh Ooh Song)	4:06
Diamond Field (Campo De Diamantes)
Takin' It Back = De Regreso	4:02
Ooh Ooh Song	4:8
So Sincere
Love In The Ice Age	4:08
Campo De Diamantes (Diamond Field)	3:20
Suburban King (El Rey De Los Suburbios)
Painted Desert = Desierto Pintado	5:22
Diamond Field	3:20
Temporary Heroes (Héroes Temporales)
Diamond Field2
A Crazy World Like This (Beginning)
Painted Desert	5:26
Amor En La Edad De Hielo (Love In The Ice Age)	4:08
Love In The Ice Age = Amor Glacial	4:08
Un Mundo Loco Como Este (A Crazy World Like This)	4:02
Blues Para Un Rebelde (The Outlaw Blues)	3:47

Video

Pat Benatar - Painted Desert

Pat Benatar - We Belong (Official Video)

Pat Benatar - Diamond Field

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Catalog Numbers

Labels

Chrysalis
RCA Victor
Chrysalis, Festival Records
Ariola (Germany)
Peacock

Listen online

online luisteren
ouvir online
lytte på nettet
online anhören
écouter en ligne
ascolta in linea
lyssna på nätet
kuunnella verkossa
escuchar en línea

Formats

Vinyl
LP
Album
Cassette
Stereo
Dolby HX Pro
CD
CBS/Sony pressing
Club Edition
Black Cassette
Non Paper Labels
Reissue
Dolby
CRC
PRC-Richmond Pressing
33 ⅓ RPM
Repress
RCA
Promo
12"
Pebbled Shell
CrO₂
Dolby System
Unofficial Release
8-Track Cartridge
Test Pressing
White Label

Companies

Role	Company
Made By	Festival Records Pty. Ltd.
Distributed By	Ariola Group Of Companies
Phonographic Copyright (p)	Chrysalis
Copyright (c)	Chrysalis Records
Printed By	TOPAC
Mixed At	The Complex
Pressed By	Sonopress
Published By	Chrysalis Music Ltd.
Mastered At	Sterling Sound
Manufactured By	EMI Music Group Australasia
Marketed By	Gallo
Record Company	Columbia House
Lacquer Cut At	The Lacquer Channel Limited
Glass Mastered At	Nimbus
Recorded At	Whitney Recording Studios
Licensed From	RCA Records
Exclusive Retailer	Bertelsmann Club

Credits

Role	Credit
Bass	Donnie Nossov, Roger Capps (tracks: A2, A3)
Drums	Myron Grombacher
Engineer	Dave "Sulu" Hernandez
Keyboards	Charlie Giordano
Percussion	Lenny Castro (tracks: A3, B4)
Producer	Peter Coleman
Guitar	Neil Giraldo
Harmonica	Neil Giraldo
Vocals	Pat Benatar
Graphics	George Corsillo
Management	Richard Fields, Rick Newman
Mastered By	George Marino
Mixed By	Neil, Pete
Photography By	Matthew Rolston
Backing Vocals	Donnie Nossov (tracks: B1)
Design	George Corsillo
Translated By	Dave "Sulu" Hernandez
Photography	Matthew Rolston, Rebecca Blake
Bass Guitar	Donnie Nossov
Graphic Design	George Corsillo
Lacquer Cut By	BilBo

Notes

Ⓟ & Ⓒ Chrysalis Records
Manufactured and distributed in Canada by MCA Records Canada
This disc says "Manufactured In Japan" around disc edge, as opposed to Pat Benatar - Tropico, which appears to say "Manufactured In U.S.A.".
Manufactured by Columbia House/CBS Inc.
Single panel J-card inlay printed both sides. Black cassette with on-body print. Printed in Germany.
Tri-fold J card inlay, printed both sides
Grey Cassette shell with Black on-body print
Chromdioxid tape. Spine and cassette labels have Chrome for Quality logo and Dolby System logo.
Inlay: "Made in the UK"
A similar UK Cassette release, Black Cassette / Paper labels is Tropico
Printed in Western Germany
Release date : 24 April 1989
Manufactured by Festival Records Pty Ltd Australia and New Zealand.
Marketed And Distributed In South-Africa By GALLO
Printed inner sleeve.
Manufactured by Columbia House
Mixed at The Complex Studios.
A1, B3 mixed at Sound Castle Recording Studios.
"CRC" (Columbia Record Club) printed on disc and tray card.
Released with a colour-printed inner sleeve with credits and lyrics.
Category on the sleeve, spine and back cover: CHS 41471
Category on the labels: CHS-41471
Manufacturing and distribution info on the back cover: Manufactured and distributed in Canada by MCA Records Canada.
Manufacturing and distribution info on the labels: Mfd. by MCA Records (Canada), dist. by MCA Distributing (Canada).
Back cover has a typo of 'roduced by' instead of 'Produced By'.
Writer credit on A2 is 'R. Lowen' on the sleeve and 'D.E. Lowen' on the label.
© 1984 Chrysalis Records. ℗ 1984 Chrysalis Records.
Tracks A1 and B3 mixed at Sound Castle Recording Studios.
Digitally mixed on a Mitsubishi X-80.
Mastered in N.Y.C.
Track A1 copyright © 1984 by Tyreach Music, Big Tooth Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights for Big Tooth Music and Neil T. Geraldo controlled by Rare Blue Music, Inc. International copyright secured.
Track A2 copyright © 1984 by Screen Gems-EMI Music Inc. International copyright secured.
Tracks A3 and B2 copyright © 1984 by Tyreach Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights for Neil T. Geraldo controlled by Rare Blue Music, Inc. International copyright secured.
Track A4 copyright © 1984 by Island Music Ltd. All rights for the U.S.A. and Canada controlled by Black Lion Music. International copyright secured.
Track A5 copyright © 1984 by Charlie Giordano Music, Tyreach Music, Big Tooth Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights for Big Tooth Music and Neil T. Geraldo controlled by Rare Blue Music, Inc. International copyright secured.
Tracks B1 and B5 copyright © 1984 Big Tooth Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights controlled by Rare Blue Music, Inc. International copyright secured.
Track B3 copyright © 1984 by Billy Steinberg Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights for Neil T. Geraldo controlled by Rare Blue Music, Inc. International copyright secured.
Track B4 copyright © 1984 by Billy Steinberg Music, Denise Barry Music, Neil T. Geraldo, Trustee of the Neil T. Geraldo Family Trust and Rare Blue Music, Inc. All rights for Neil T. Geraldo controlled by Rare Blue Music, Inc. International copyright secured.
Stereo.
Tracks A1, A3 to B5 ASCAP.
Track A2 BMI.
Released with a printed inner lyrics-sleeve.
℗ & © 1984 Chrysalis Records
1st cat on Label
2nd cat on sticker put above the original barcode ( upper right corner ).
Front cover has a sticker which says "Original Analog Studio Recording"
No numbered titles and some minor variations on labels compared to Pat Benatar - Tropico US release.
Printed In U.S.A.
This was mastered at 'Master Room', another, otherwise, identical UK version was mastered at 'Tape One': Tropico.
There is third UK version without "Love Is A Battlefield" : Tropico.
(p) & (c) Chrysalis Records
Printed in Western Germany by Mohndruck Graphische betriebe GmbH, Gütersloh
Includes insert with lyrics and credits
Manufactured in the Philippines by OctoArts International, Inc.
Made in the UK. Issued with a glossy printed inner sleeve containing lyrics and credits.
This was mastered at 'Tape One', another, otherwise, identical UK version was mastered at 'Master Room': Tropico.
Made in Sweden
℗&© 1984 Chrysalis Records, Inc.
Fabricado y Distribuido por RCA, SA de CV.
Packaged in a standard jewel case with 4 page booklet.
In booklet:
"Diamond Field" (track 1) and "Suburban King" (track 8) mixed at Sound Castle Recording Studios
Digitally mixed on Mitsubishi X-80
Mastered at Sterling Sound, NYC.
℗ 1984, *1983 (Love Is A Battlefield) Chrysalis Records Inc. © 1984 Chrysalis Records Inc.
First published in the UK by Chrysalis Records Ltd. 1984
On disc:
Made in U.K.
On traycard:
MANUFACTURED IN THE U.K.
DISTRIBUTED BY E.M.I.
[publishing info]
track 1: Chrysalis Music Ltd / Warner Bros Music Ltd
track 2: Screen Gems / EMI Music Ltd
track 3: Chrysalis Music Ltd / Warner Bros Music Ltd
track 4: Island Music Ltd
track 5: State Music / Chinnichap Publishing Ltd / Island Music Ltd
track 6: Chrysalis Music Ltd
track 7: Chrysalis Music Ltd / Warner Bros Music Ltd
track 8: Chrysalis Music Ltd / Warner Bros Music Ltd
track 9: Chrysalis Music Ltd / Warner Bros Music Ltd
track 10: Chrysalis Music Ltd
track 11: Chrysalis Music Ltd / Warner Bros Music Ltd / Charlie Giordano Music Inc. (H. Fox)
Total time: 43.56
This version has an extra track. A5 is Love is a Battlefield.
Love in the Ice Age has been transferred to B6
1984 Japanese version of Tropico. Obi Strip price of Y 2,800. Digital Master. Title and artist names in both Romaji (English) and Japanese on obi strip. Yellow oval on obi says in Japanese "Super Hit Singer." Back of obi strip is white, has photographs and catolog numbers of Pat Benatar Japan Discography. There is information about obtaining the scores in Japanese, with a telephone number in Tokyo. Gatefold insert has lyrics of all tracks in Japanese.
Diamond Field & Suburban King mixed at Sound Castle Recording Studio.
Plastic cassette case. Original cases have a back panel in grey with the PolyGram moulding.
Tri-fold insert card. Coloration on spine and insert flap is pink.
Cassette shell is black plastic with paper labels in white with black lettering/logos.
Different than other Canadian release in that the Producer credits on back cover are printed on separate lines. Also, This version does NOT have typo on back, "produced " is spelled correctly (other version has it spelled "roduced")
This version is an opaque beige cassette shell with a pebbled / leather texture around the edge.
Digitally Mastered
sample promo
Manufactured And Printed In Indonesia.
Printed in Western Germany By TOPAC
DICESA, El Salvador.
INDIHSA, Honduras.
On this UK Version Track A5 is the song "Love In The Ice Age". The song "Love Is A Battlefield" is not included on this UK version
On Coverback "roduced by" instead of "Produced by"
Note: Some covers are gold stamped as promotional.
Titles are not numbered on label

Barcodes

Matrix / Runout: DSMX62933 P2A2
Matrix / Runout: DSMX62934 P2A2
Barcode: 4 007192 065820
Label Code: LC 1626
Price Code (Germany): - 620
Price Code (France): AE 660
Rights Society: GEMA / STEMRA / BIEM
Matrix / Runout (A-side runout stamped, variant 1): DM 206582 A-2 / 84 S III
Matrix / Runout (B-side runout stamped, variant 1): DM 206582 B-1 / 84 S III II
Matrix / Runout (A-side runout stamped[etched], variant 2): DM 206582 A-2 / 84 S [III Ⅱ]
Matrix / Runout (B-side runout stamped[etched], variant 2): DM 206582 B-1 / 84 S [III]
Other (Inner sleeve below right): 206 582/97 647
Barcode: 04411-41471-1
Matrix / Runout (Side A Runout Etched, variant 1): FV-41471-A - C2 G STERLING
Matrix / Runout (Side B Runout Etched, variant 1): FV-41471-B - C1 G STERLING
Barcode (Side A Runout Etched, variant 2): FV-41471-A - C2 G STERLING B21
Barcode (Side B Runout Etched, variant 2): FV-41471-B - C1 G STERLING C17
Rights Society: ASCAP
Rights Society: BMI
Barcode (As Printed): 0 4411-41471-2
Barcode (Scanned): 044114147121
Matrix / Runout (Variant 1): DIDX-80 11A1
Matrix / Runout (Variant 2): DIDX-80 11
Other (Variant 2 Hub, Stamped 3x): CSR COMPACT DISC
Barcode: 4 007194 065828
Rights Society: GEMA/STEMRA/BIEM
Barcode: 094632147110
Matrix / Runout (Side 1 etched): CHR 3214711 A
Matrix / Runout (Side 2 etched): CHR 3214711 B
Barcode (String): 0 42282 42451 8
Price Code: PG 281
Barcode: 4007196102941
Matrix / Runout: SONOPRESS 610294 D
Rights Society: GEMA STEMRA BIEM
Matrix / Runout (Side A): FV 41471 A GIG G
Matrix / Runout (Side B): FV 41471 B GIA G
Barcode: 0 4411-41471-1
Barcode (Printed): 0 4411-41471-1
Barcode (Scanned): 044114147114
Matrix / Runout (Etched Side A): FV-41471-A-1-1-1 PRC
Matrix / Runout (Etched Side B): FV-41471-B-3-1-1 PRC
Matrix / Runout (Variant 1: Etched Side A): FV-41471-A-1-1-1-11 PRC
Matrix / Runout (Variant 1: Etched Side B): FV-41471-B-2-1-3-2 PRC
Matrix / Runout (Variant 2 Etched Side A): FV-41471-A-1-1-1-8 PRC
Matrix / Runout (Variant 2 etched Side B): FV-41471-B-3-1-(scratched out 2) 3-1 PRC
Matrix / Runout: Sterling stamped both sides
Barcode: 0 4411-41471-2
Other: DIDY 80
Matrix / Runout (Side A label): CHS 41471 AS
Matrix / Runout (Side B label): CHS 41471 BS
Matrix / Runout (Side A runouts): CHS 41471-A TLC-A CR
Matrix / Runout (Side B runouts): CHS 41471-B CR
Rights Society (A1, A3 to B5): ASCAP
Rights Society (A2): BMI
Pressing Plant ID (B-side label, embossed): [Bass clef]
Matrix / Runout (A-side runout stamped[etched], variant 3): DM 206582 A-2 / 84 S III [IV]
Matrix / Runout (B-side runout stamped[etched], variant 3): DM 206582 B-1 / 84 S III [III]
Matrix / Runout (Side A Runout, Stamped): CHR 1471 A//2▽420 T 1 1 1 3
Matrix / Runout (Side A Runout, Etched): Pounda Tape
Matrix / Runout (Side B Runout, Stamped): CHR 1471 B//2▽420 T 1 1 1
Matrix / Runout (Side A - Matrix runouts): FV-41471-A-1A.2HZ: DM-4
Matrix / Runout (Side B - Matrix runouts): FV-41471-B-1A.2HZ: DM-3
Barcode: 0 93652 70761 8
Matrix / Runout (Side A etched): FV-41471-A4 TP
Matrix / Runout (Side B etched): FV-41471-B TP
Matrix / Runout (Side A/B stamped: sᴛᴇʀʟɪɴɢ ): STERLING
Pressing Plant ID (Combined: ‾P): TP
Matrix / Runout (Side A Runout, Stamped, Variant 1): CHR 1471 A/1▽420 R
Matrix / Runout (Side A Runout, Etched, Variant 1, 3): tone
Matrix / Runout (Side B Runout, Stamped, Variant 1): CHR 1471 B/1▽420 R
Matrix / Runout (Side A Runout, Stamped, Variant 2): CHR 1471 A // 3▽420 R 11 1A
Matrix / Runout (Side B Runout, Stamped, Variant 2): CHR 1471 B // 3 ▽420 R 11 2
Matrix / Runout (Side A Runout, Stamped, Variant 3): CHR 1471 A // 3 ▽ 420 R 11 5
Matrix / Runout (Side B Runout, Stamped, Variant 3): CHR 1471 B // 3 ▽420 R 11 2
Barcode (Printed): 5 013136 147124
Matrix / Runout: ACCD 1471 MASTERED BY NIMBUS
Rights Society: SGAE
Depósito Legal: M-36028-1984
Matrix / Runout (Side A runout, stamped): CHR 1471 A // 1▽ 420 T 11 1
Matrix / Runout (Side A runout, etched): BILBO TA1PE
Matrix / Runout (Side B runout, stamped): CHR 1471 B // 1 ▽ 420 T 11 5
Rights Society: n©b
Matrix / Runout (Side A Etched): CHR-1471-A BA-Tα
Matrix / Runout (Side B Etched): CHR-1471-B BA-Tα
Matrix / Runout (Etched Side A): T-I-CHR-44-1 AJAM.
Matrix / Runout (Etched Side B): T-I-CHR-44-2 AJAM.
Barcode (Scanned): 094632147127
Barcode (Text): 094632 147127
Matrix / Runout: CDP 32 1471 2 : •MASTERED• •BY NIMBUS•
Price Code (F): PM 516
Rights Society: BIEM/MCPS
Matrix / Runout (Side A Stamped): R153749A I 1 A1 Q
Matrix / Runout (Side B Stamped): R153749B I 1 A1 Q
Matrix / Runout (Side A Stamped (except G, etched)): R153749A I 1 A2 G
Matrix / Runout (Side B Stamped (except F, etched)): R153749B I 1 A3 F
Matrix / Runout (Side A Stamped): CHR 1471 A // 3▽ 420 R
Matrix / Runout (Side B Etched): CHR-1471-B 4
Barcode: 044114147121
Matrix / Runout (Variant 1): DIDX 80 11A1
Matrix / Runout (Variant 2): DIDX 80 11A5
Matrix / Runout (Center Hub): Made In USA Digital Audio Disc Corp [DADC Logo]
Matrix / Runout (Runout area side A): NKAY 39396 3S 1A 1 Piero 21-11-84
Matrix / Runout (Runout area side B): NKAY 39397 IIIS 1A 2 Piero 21-11-84
Matrix / Runout (Label side A): NKAY 39396
Matrix / Runout (Label side B): NKAY 39397
Rights Society: SIAE
Barcode: none
Barcode (Printed): 4007196102941
Matrix / Runout: 610294 51213Q Manufactured By Sanyo Japan
Price Code: AE 880
Barcode (String): 044114147145
Barcode (Text): 0 4411-41471-4
Barcode: 4 007196 102941
Matrix / Runout: 610 294 A
Matrix / Runout: CHR 824245 A MT410 1452
Matrix / Runout: CHR 824245 B MT410 1452
Matrix / Runout (Runout Side A): CHRL-05-A
Matrix / Runout (Runout Side B): CHRL-05-B
Matrix / Runout (Side A Runout, Etched): Pounda TA1PE
Rights Society: GEMA
Matrix / Runout (Label Side A): S 206 582 A
Matrix / Runout (Label Side B): S 206 582 B
Pressing Plant ID (Label Side B, embossed): ? [Bass clef]
Matrix / Runout (Side A runout variant 1, etched): P <J-AP7 FV 41471-A GIA
Matrix / Runout (Side B runout variant 1, etched): P FV-41471-BX STERLING
Matrix / Runout (Side A runout variant 2, etched): P <J-AP7 FV 41471-A GIA
Matrix / Runout (Side B runout variant 2, etched): P FV-41471-B STERLING
Other: CRC
Matrix / Runout (Side A): <Chet.T> FV 41471 A GIE G1 D8
Matrix / Runout (Side B): FV41471BA-1A G

Summary by Peilin Corbanese

Tropico is a strong entry in Pat Benatar's catalog, showcasing her range as a singer and songwriter. Whether she's belting out a powerful rock anthem or delivering a tender ballad, Benatar proves herself to be one of the most dynamic and compelling artists of her era.

Comments

aronstifler

Pat Benatar's shelf life had expired by now. It had already started to fade two years earlier in the public eye with Get Nervous, was rejuvenated temporarily with the single "Love is a Battlefield" tacked on the end of her live set Live From Earth in '83. Fast forward a year, and here we have "We Belong" making some noise, but not much else. There were other undercurrents that must have contributed to Benatar's demise from stardom, and one has to think that Madonna's emergence in '83 had some bearing on it. Indeed, why rush out "Battlefield" a year earlier before a true album was ready?And yet oddly Tropico is what I would consider Benatar's most interesting album, for one main reason - it works as an overall mood piece, and sounds even better as a composite. We find a more reflective Benatar on Tropico, and the public possibly didn't know what to think of it, especially with Madonna as the new diva queen. Benatar is certainly heavy on the ballads, with rock elements interspersed, and she's never sounded more versatile. Tropico spans a wide landscape and shows Benatar and Neil Giraldo spreading their creative wings. In addition to the ubiquitous "We Belong", "Temporary Heroes" is a mature approach at melodic rock, though again since it isn't out-of-the-box radio friendly it had little chance of making much of a splash. "The Ooh Ooh Song" is a rather jaunty ride, and it should've gotten more love. The song holds up even today, oddly as more of a nod to fifties rock. Perhaps it would have struck more of a nerve with a less banal title, who knows. At any rate, it's a straight-ahead rock piece that has aged extremely well. Meanwhile, "A Crazy World Like This" is another solid rocker. That's four heavy hitters on one disc, along with the pleasant tones of "Painted Desert", "Outlaw Blues" and "Takin' it Back". That's a lot more than you get on most albums.Tropico probably wasn't meant for the '80s, though I would count that in the duo's favor for sticking their necks out and making something intelligent even if it meant it would suffer on the charts past the obvious single. Truth is, no other female rock diva could make an album the way Pat Benatar could. If the public isn't paying attention and a record falls in the forest, was it still good? Critics might say it depends on if you ask Kierkegaard or Spinoza.

nathalirvblog

Good song. It was on a Miami Vice episode.

artsvisuelsclgpaquetlouis

Pat Benatar is a fantastic songstress. She is the sought of woman I could easily fall in love with.

worthyadvisor

PAT have you EVER CONSIDERED A CONCERT IN ALASKA ...THE ALASKA STATE FAIR IS A HUGE PART OF TOURISM HERE...TOWARDS THE END OF AUGUST INTO SEPTEMBER...
the SCHOOLS ARE BETTER HERE ...MY Niece has already Madtered Chinese..German...she's only 14 years old .Reina Albanil....ABSOLUTELY GORGEOUS YOUNG LADY Into ROLLER DERBY NOW ..

tarekbrothers

Spectacular. Madonna was talented, but Pat and company are in another category.

undergroundcop

My absolute favourite of all of Pat and Neil's songs. Beautiful, ethereal, strikingly tragic - showing all the deep, hard beauty of love. Tragedy with bliss. Ageless.

marcinwasyl36

2023 I love you Pat???...

tikhafebri

???❤️

suardanagde

Who is listening in February 2023 ??

blogarmitage

Hideous. hahah - yowzers.

hiepnguyen18071992

And whosoever was not found written in the book of life was cast into the lake of fire. (Revelation 20:15)
And the third angel followed them, saying with a loud voice, If any man worship the beast and his image, and receive his mark in his forehead, or in his hand, The same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb: And the smoke of their torment ascendeth up for ever and ever: and they have no rest day nor night, who worship the beast and his image, and whosoever receiveth the mark of his name. (Revelation14:9-11)