María Márquez - Tonada

Review by Christian Bauer

Tonada, the latest album by María Márquez, is a beautiful tribute to the traditional folk music of Venezuela. With her mesmerizing voice and impeccable technique, Márquez takes the listener on a journey through the rich musical heritage of her country, exploring the different rhythms, melodies, and themes that define Venezuelan tonadas.

The album opens with the upbeat and cheerful "El Negrito Fullero", a song that invites the listener to dance and sing along. Márquez's voice is full of energy and passion, and the instrumentation, which includes the cuatro, the maracas, and the bass, creates a vibrant and joyful atmosphere.

The following tracks, such as "La Rosa Blanca" and "La Tonada del Cabrestero", showcase Márquez's ability to convey deep emotions through her singing. Her voice is delicate and nuanced, conveying a sense of longing, nostalgia, and melancholy that is characteristic of Venezuelan tonadas. The arrangements are also beautiful, with the harp, the violin, and the guitar adding layers of texture and depth to the songs.

One of the highlights of the album is "El Diablo Suelto", a classic Venezuelan waltz that has become a symbol of the country's musical identity. Márquez's interpretation of the song is stunning, with her voice soaring over the intricate rhythms and melodies of the cuatro and the maracas. The result is a mesmerizing and unforgettable performance that captures the essence of Venezuelan tonada.

Summary by Christian Bauer

Tonada is a masterpiece of Venezuelan folk music, a testament to María Márquez's talent and dedication to preserving and promoting her country's musical heritage. Whether you are a fan of Latin American music or simply appreciate great singing and beautiful melodies, this album is a must-listen.