Johannes Brahms Quarteto Amadeus Karl Leister - Quinteto Para Clarineta Em Si Menor Op 115

krishaamer

Review by Kris Haamer

The album "Quinteto Para Clarineta Em Si Menor Op 115" by Johannes Brahms Quarteto Amadeus Karl Leister is a remarkable piece of music that showcases the brilliance of Brahms' compositions. The performance by Quarteto Amadeus Karl Leister is outstanding, capturing the essence of Brahms' music with precision and emotion.

The album features five movements, each of which is a testament to Brahms' mastery of the clarinet. The quartet's performance is smooth and effortless, with each instrument blending seamlessly with the others. The clarinet, in particular, stands out, with Karl Leister's masterful playing elevating the music to new heights.

The quartet's interpretation of the music is both nuanced and dynamic, with each movement building to a satisfying climax. The musicians display a deep understanding of Brahms' music, bringing out the subtle nuances and emotional depth of his compositions.

Download Johannes Brahms Quarteto Amadeus Karl Leister - Quinteto Para Clarineta Em Si Menor Op 115
Artist: Johannes Brahms Quarteto Amadeus Karl Leister
Album: Quinteto Para Clarineta Em Si Menor Op 115

Table of Contents

Download

Filename: johannes-brahms-quarteto-amadeus-karl-leister-quinteto-para.rar
  • MP3 size: 38.5 mb
  • FLAC size: 268.5 mb

Tracks

TrackDurationPreview
2.Mov: Adagio
4.Mov: Con Moto
3.Mov: Andantino
Quinteto Para Clarineta Em Si Menor, Op. 115
1.Mov: Allegro

Video

Johannes Brahms - Clarinet Quintet in B minor, Op. 115

Images

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Catalog Numbers

239.354, SLPM 239.354

Labels

Deutsche Grammophon

Listen online

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Formats

  • Vinyl
  • LP
  • Stereo

Companies

RoleCompany
Manufactured ByCompanhia Brasileira De Discos
Distributed ByCompanhia Brasileira De Discos

Credits

RoleCredit
ArtworkJean-Baptiste Camille Corot
ClarinetKarl Leister
Composed ByJohannes Brahms
EngineerHans-Peter Schweigmann
EnsembleAmadeus-Quartett
Liner NotesHelmut Wirth
Recording SupervisorDr. Manfred Richter

Barcodes

  • Matrix / Runout (Stamped Side 1 (Small Font)): 139354 A
  • Matrix / Runout (Stamped Side 2 (Small Font)): 139354 B

About Johannes Brahms Quarteto Amadeus Karl Leister

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Born: 1833-05-07 (Hamburg, Germany). Died: 1897-04-03 (Vienna, Austria). Johannes Brahms was a German composer, pianist, and conductor of the Romantic period.

Real Name

    • Johannes Brahms

Name Vars

  • Barhms
  • Bragms
  • Brahams
  • Brahm
  • Brahm's
  • Brahms
  • Brahms J.
  • Brahms Johannes
  • Brahms, J.
  • Brahms, Johannes
  • Bramhs
  • Brams
  • Brhams
  • Drahms
  • Grahms
  • I. Brahms
  • I.Brahms
  • Iohannes Brahms
  • J Brahms
  • J. BRAHMS
  • J. Brahams
  • J. Brahms
  • J. Bramhms
  • J. Brams
  • J. Bramsas
  • J. Brhams
  • J. Brāmss
  • J. S. Brahms
  • J.Brahms
  • J.Brams
  • J.Brāmss
  • J.J. Brahms
  • J.S. Brahms
  • J.S.Brahms
  • Joachim Brahms
  • Joannes Brahms
  • Joh Brahms
  • Joh. Brahms
  • Joh.Brahms
  • Johan Brahms
  • Johanes Brahms
  • Johanes Brams
  • Johaness Brahms
  • Johann Brahms
  • Johannes
  • Johannes Brahams
  • Johannes Brahmes
  • Johannes Brahms (1833 - 1897)
  • Johannes Brams
  • Johanness Brāmss
  • Johanns Brahms
  • Johannès Brahmes
  • Johannès Brahms
  • Johnannes Brahms
  • Johs. Brahms
  • Γιοχάννες Μπραμς
  • Μπραμς
  • Ј. Брамс
  • Јоханес Брамс
  • Брамс
  • Брамс Иоганнес
  • Брамса
  • И. Бармс
  • И. Брамс
  • И.Брамс
  • Иоган Брамс
  • Иоганес Брамс
  • Иоганесс Брамс
  • Иоганн Брамс
  • Иоганнес (Йоханнес) Брамс
  • Иоганнес Брамс
  • Й. Брамс
  • Йох. Брамс
  • Йоханес Брамс
  • Йоханнес Брамс
  • ברהמס
  • برامس
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  • èÏ͹Öéüà¹
  • èÏ͹ûÖéüà¹
  • ฃˉ৆֯
  • ഄ࿰ŧ֯˃ˉ৆֯
  • ฌތʤ (Johannes Brahms)
krishaamer

Summary by Kris Haamer

"Quinteto Para Clarineta Em Si Menor Op 115" is a must-listen for anyone who appreciates classical music. The album is a testament to the enduring power of Brahms' music and the skill of Quarteto Amadeus Karl Leister. It is a truly exceptional album that will leave a lasting impression on any listener.

Comments

Magical piece. He anticipates much of the French parlor music while never entirely abandoning the storm under drang of German Romanticism. Also it sounds really cool.
16:56あたりの、クラリネット(sop.)とチェロ(bass)を意図的に連続完全8度で動かしているところに、ブラームスの手腕が窺えます。要は、旋律の音色付け(とりわけチェロの深い音色を)ということになっているわけですね。

初学者が和声課題でこれをやると一発アウトですので、簡単に真似してはいけませんが!?
Esta melodía fue interpretado, por primera vez, el casa de los Wittgenstein.
15:49
15:49
I close the night, the curtain of this day
With Brahms' quintet
I didn't know this Brahms piece at all, and had to look it up. Last night I heard it performed at the Saronic Chamber Music Festival here on Poros Island, Greece- Sergio Pires on Clarinet, Violins Bogdan Bozovic, Katharine Gowers, Viola Francis Kefford and Cello Julian Arp. Tears were shed for the beauty, elegance, and complexity of this piece. We are fortunate on this small island to have such exquisite performances!
15:50
I can't believe that as a lad of 16 in 1950 we used to spend every Sunday afternoon playing quartets and, frequently, this unbelievably difficult work. Paul Harvey ( of, later,"The Bedside Clarinettist" fame,) My sister Rowena (later, Principal 'cello, New Philharmonia) Peter Fisher sightreading the viola part on his B-flat clarinet. myself (Covent Garden, English National, first to revive the Elgar Concerto in 1973 after 40 years neglect). Heaven help us, I don't remember any of us bothering to observe the dynamics! But WHAT a childhood. I wonder who's doing it now?
Delightful!
1악장
1주제 0:00
2주제 1:37
코데타 2:28
발전부 5:48
코다 11:34

2악장
1부 12:00
2부 15:45
3부 19:46
코다 22:32

3악장
서주 23:28
제 1주제 24:50
제 2주제 25:13

4악장 28:02 테마
29:00 1변주
30:00 변주 2
(See below) ; I don't know what you lot do down south, but THAT'S how we used to spend our Sunday afternoons in the back streets of Sheffield.
21:05 dotted descending reminds me of beethovens 9th :)
The viva interview for my A-level Music 1951: Examiner "Do you play an instrument?" "Certainly, we play the Brahms Quintet on Sunday afternoons": (VERY suspiciously: "can you hum any of it? Nonchalantly I accurately rattled off most of the first page. Result? Unsurprisingly, Scholarship level A-*!
So cool, so beautiful!!
This piece is so beautiful that, at times, it’s almost too painful to listen to. An outpouring of Romantic feeling tempered by Classical architectonics. That is precisely what Brahms could do better than just about any other composer. An elegiac belatedness pervades this piece. The only chamber piece that affords me more pleasure is Beethoven’s String Quartet No. 14 in C# minor, Op. 131. Thank you for posting this, complete with the score to follow along.
Excellent, exquisite rendition of this very beautiful masterpiece.
6:56 ♥
It's in 6/8, but Brahms's advanced rhythmic and metrical thinking make this a lot trickier to play together.
Brahms really knowed how to write melody for clarinet