Il Bacio della Medusa -

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Review by ERVING CROXEN

Il Bacio della Medusa's latest album is a tour de force of progressive rock, blending elements of classical music, jazz, and folk into a unique and captivating sound. From the opening track, "Il Canto di Osiride," with its haunting vocals and intricate guitar work, to the epic finale, "La Danza di Shiva," this album takes the listener on a journey through different moods and emotions.

The musicianship is outstanding, with each member of the band contributing their own unique style and flair. The guitar work is particularly impressive, with intricate riffs and solos that showcase the band's technical prowess. The keyboards and flute add a touch of whimsy and elegance to the music, while the rhythm section provides a solid foundation for the complex arrangements.

One of the standout tracks on the album is "Il Giardino dei Semplici," a beautiful ballad that showcases the band's softer side. The vocals are particularly impressive on this track, with a delicate and emotional delivery that perfectly complements the lush instrumentation.

Table of Contents

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Filename: il-bacio-della-medusa.rar
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Formats

Vinyl

About Il Bacio della Medusa

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The project called Il Bacio Della Medusa (Medusa's Kiss) was born in September 2002, due to the efforts of and (vocals, acoustic guitar), (bass) and (drums). An art-music workshop that from the very beginning was based on the extreme attention to lyrics and arrangement. After several changes within the group (guitarists and keyboard players alternate), the formation becomes stable in 2003 with (Western Concert flute, piccolo flute, alto saxophone) that with the wind instruments will add creativity to the new group and (guitar) that will bring a definitely blues rock sound and a very instinctive and incisive style. In April 2004, the BDM after a year and a half of work goes into the recording studio, the project was realized in June 2004 with the creation of self-produced first album, the self-titled Il bacio della Medusa ("Medusa's Kiss"). In January 2005 joins the group and with his violin will give a major contribution to the redefinition of the sound of the BDM which will undergo a further evolution with the help of new instruments to which Petrini's Mellotron must be added. In May 2005 Black Widow Records is entrusted with the distribution of the first disc, while in September of the same year the BDM retires to the studio for the creation of new work: the concept album Discesa agl'inferi di un giovane amante ("Sheol descent of a young lover") which will see the light of day in May 2006. In these months, the group continues to publicize the previous disc and start testing the new songs revisiting their live performance. In September 2006 the group signs a record deal with for the reissue of the first work and the production of the new disc (LP-CD). From 2008 to 2010 the group performs on many stages both in Italy and in Europe that will appreciate the uniqueness of its music, ranging with ease from the grammatical prog to temperamentally heavy sound, to a very broad target, fond of live performances that are characterized by the great stage presence of the members. Meanwhile, the major rock and roll journals review the two disks positively by appreciating the skills of the artists. In the summer of 2010 the violinist Daniel Rinchi leaves the band and the BDM closes the group with the actual arrangement. At the same time the group begins the writing of a new album Deus lo vult in June 2011 and enters the studio for the recordings. In July 2011, the BDM leaves Black Widow Records and, aiming to the growth in terms of image, arrives at an experimental advertising project coordinated by Glare Art & Communications, which aims at raising the value of the band and at making it more attractive to new record labels.

Members

  • Eva Morelli
  • Diego Petrini
  • Simone Brozzetti
  • Federico Caprai
  • Simone Cecchini
  • Daniele Rinchi
  • Simone \"Il Poca\" Matteucci
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Summary by ERVING CROXEN

Il Bacio della Medusa's latest album is a must-listen for fans of progressive rock. It's a complex and challenging work that rewards repeated listens, with new details and nuances revealing themselves with each play. Highly recommended.