Horace Silver - In Pursuit Of The 27th Man
Table of Contents
Download
Filename: horace-silver-in-pursuit-of-the-27th-man.rar- MP3 size: 40 mb
- FLAC size: 301 mb
Tracks
Track | Duration | Preview |
---|---|---|
Summer in Central Park | 04:41 | |
Nothin' Can Stop Me Now | 5:14 | |
Gregory Is Here | 6:20 | |
Summer In Central Park | 4:39 | |
Liberated Brother | 5:22 | |
In Pursuit Of The 27th Man | 9:43 | |
Nothin' Can Stop Me Now | 05:15 | |
Kathy | 4:16 | |
In Pursuit of the 27th Man | 09:44 | |
Strange Vibes | 5:01 |
Images
Catalog Numbers
- TOCJ-50505
- 7243 5 35758 2 3, 5357582
- BN-LA054-F
- BST 84 433 K
- BST 84 433 K, BN-LA054-F
- UCCQ-3028
- 7243 5 35758 2 3
Labels
Blue NoteListen online
- ascolta in linea
- lytte på nettet
- écouter en ligne
- kuunnella verkossa
- escuchar en línea
- online anhören
- online luisteren
- ouvir online
- lyssna på nätet
Formats
- CD
- Album
- Reissue
- Remastered
- Limited Edition
- Vinyl
- LP
- Gatefold
- Stereo
Companies
Role | Company |
---|---|
Manufactured By | EMI Music Japan Inc |
Phonographic Copyright (p) | Capitol Records, Inc. |
Copyright (c) | Capitol Records, Inc. |
Marketed By | EMI |
Distributed By | EMI |
Recorded At | Van Gelder Studio, Englewood Cliffs, New Jersey |
Glass Mastered At | EMI Uden |
Pressed By | Mediamotion |
Published By | Nodlew Music |
Credits
Role | Credit |
---|---|
Artwork | Carol Forbes |
Drums | Mickey Roker |
Electric Bass | Bob Cranshaw |
Engineer | Rudy Van Gelder |
Liner Notes | Horace Silver |
Photography By | Darnell Mitchell |
Piano | Horace Silver |
Producer | George Butler |
Recorded By | Rudy Van Gelder |
Tenor Saxophone | Michael Brecker (tracks: 1, 3, 5) |
Trumpet | Randy Brecker (tracks: 1, 3, 5) |
Flugelhorn | Randy Brecker (tracks: 1, 3, 5) |
Vibraphone | David Friedman (tracks: 2, 4, 6, 7) |
Written-By | Horace Silver (tracks: 4 to 7) |
Art Direction | Michael Boland, The Boland Design Company, NYC |
Design | Michael Boland, The Boland Design Company, NYC |
Composed By | Horace Silver (tracks: 3 to 7) |
Creative Director | Gordon H Jee |
Remastered By | Rudy Van Gelder |
Reissue Producer | Michael Cuscuna |
Bass | Bob Cranshaw |
Saxophone | Michael Brecker (tracks: 1, 3, 5) |
Notes
- Tracks 2, 4, 6 & 7 recorded on October 6, 1972.
- Tracks 1, 3 & 5 recorded on November 10, 1972.
- 24bit 192kHz digital remastering.
- This edition is pressed by Mediamotion (according to the Mould SID code) and has EMI UDEN in the matrix field of the CD.
- Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on October 6 (#2, 4, 6, 7) and November 10 (#1, 3, 5), 1972.
- All transfers from analog to digital were made at 24-bit resolution.
- Originally issued as Blue Note BNLA-054 in 1973.
- Blue Note© is a registered trademark of Capital Records, Inc.
- ℗ & © 2002 Capitol Records, Inc.
- Recorded on October 6 (#A2, A4, B2, B3) and November 10 (#A1, A3, B1), 1972.
- © ℗ MCMLXXIII United Artists Records, Inc. / Printed in U.S.A.
- Blue Note Records · A Division Of United Artists Records, Inc.
- First edition with white/blue labels & black printed titles and credits.
- Gatefold cover.
- Blue Note Records · A Division Of United Artists GmbH, Munchen
- First edition with white/blue labels & blue printed titles and credits.
- Different disc labels - black "b" with blue "b" inside
- Issue 1973 to 1978 = Blue Note label variation # 13 (LJC)
- 1975-9 edition, blue labels with white 'b'.
- Blue labels with black b.
- German Copyrights notice on labels.
- On cover:
- Gatefold cover
- On spine:
- BN-LA054-F 0598
- On labels:
- BST 84 433 K
- Blue Note Records - A Division of United Artists GmbH. München - Made in Germany
- ℗&© 1973
- Made in Japan
- Originally issued as Blue Note BNLA-054.
Barcodes
- Barcode: 4 988006 899643
- Rights Society: JASRAC
- Barcode (Text): 7 243 5 35758 2 3
- Barcode (Scanned): 724353575823
- Rights Society: bel BIEM
- Label Code: LC 0133
- Matrix / Runout: EMI uDEN 5357582 @ 2 010104
- Mastering SID Code: IFPI L045
- Mould SID Code: IFPI AAHP3
- Price Code (F): PM 516
- Matrix / Runout (Side A etched/stamped): BNLA . 054 - F-1 VAN GELDER
- Matrix / Runout (Side B etched/stamped): BNLA . 054 . F-2 VAN GELDER
- Other (Price code on spine): 0598
- Rights Society: GEMA
- Matrix / Runout (Side A etched/stamped): BNLA .054 . F-1 VAN GELDER
- Matrix / Runout (Side B etched/stamped): BNLA .054 - F-2 VAN GELDER
- Matrix / Runout: BN LA · 054. F - I
- Matrix / Runout: BN LA · 054. F - 2(=)
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Runout side A, etched/stamped): BNLA.054-F-1⑵ 84 433-A VAN GELDER Made in Germany
- Matrix / Runout (Runout side B, etched/stamped): BNLA.054-F-2 (=) 84 433-B VAN GELDER Made in Germany
- Barcode (Printed on obi): 4 988031 289778
- Barcode (Scanned): 4988031289778
- Price Code (RRP): ¥1,400
- Barcode: 724353575823
- Matrix / Runout (Etched, both sides): T
About Horace Silver
American jazz pianist, composer and band leader, born September 2, 1928 in Norwalk, Connecticut, USA, died June 18, 2014 in New Rochelle, New York, USA.
Real Name
- Horace Ward Martin Tavares Silver
Name Vars
- H Silver
- H. Silver
- H. Silvers
- H.Silver
- Horace
- Horace - Silver
- Horace Silber
- Horace Ward Martin Tavares Silva aka \
- Horace Ward Martin Tavares Silver
- Horance Silver
- Horece Silver
- R. Silver
- Siler
- Silver
- Silver Horace
- Silvers
- Siver
- Г. Сильвер
- С. Хорес
- Х. Силвер
- Х. Сильвер
- Х.Сильвер
- Хорас Силвер
- Хорас Силвър
- Хорес Силвер
- Ûì¹û·ëô¡ü
- Ûüì¹û·ëô¡ü
Comments
Going into the 1970s, many legendary jazz musicians lost their way, turned to other musical genres or simply stopped recording altogether. Initially it looked like Horace Silver was going to be another one of the many who would sacrifice their trademark style on the altar of the latest fad, but after a brief flirtation with lyrics and fusion on a trio of albums at the beginning of the decade, Silver smartly returned to what he did best with "In Pursuit of the 27th Man", a set that rarely gets mentioned in the same breath as his more celebrated 1950s and 60s sets, but by all rights deserves to be. Melodic and funky, with that characteristic hint of soul, this is one of the most compelling dates in Silver's entire catalog, delivering some of the catchiest tracks of his career, like "Liberated Brother" and "Gregory Is Here", and doing so without any of the Avant-garde affectations or fusion flourishes that were then sweeping the world of jazz. Silver's playing here is at times reminiscent of the best late 60s acoustic work of Herbie Hancock, which does give it a bit more contemporary of a sound, but one never gets the feeling that he's aping Hancock or trying to be anyone but himself, and the presence of vibraphonist David Friedman is another welcome, slightly contemporizing addition on four of the album's seven tracks, especially the intriguing, sinuous title track. "In Pursuit of the 27th Man" might not be on the cutting edge of what was going on in the music world at the time, but it is thoroughly enjoyable Hard Bop that will definitely delight any fan of Silver's music.