Al Haig - Blue Manhattan

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Review by Jerry Danjuma

Blue Manhattan, the 1994 album by jazz pianist Al Haig, is a sublime collection of classic tunes and original compositions. With his masterful touch and impeccable phrasing, Haig creates a captivating atmosphere that evokes the sophisticated and melancholic spirit of New York City.

The album features Haig's trio, with bassist Bill Crow and drummer Lee Abrams, and guest appearances by saxophonist Jerry Bergonzi and guitarist Mick Goodrick. Together, they perform a mix of standards, such as "All the Things You Are" and "I Should Care," and Haig's own compositions, including the hauntingly beautiful "Blue Manhattan" and the lively "Minor March."

Haig's playing is both technically impressive and emotionally expressive, with a delicate touch and a deep understanding of harmony and melody. His solos are full of surprises and subtle variations, showcasing his improvisational skills and his unique voice as a pianist.

The rhythm section provides a solid and flexible foundation for Haig's explorations, with Crow's melodic bass lines and Abrams' dynamic drumming adding depth and texture to the music. Bergonzi and Goodrick add their own distinctive voices to the mix, with Bergonzi's soulful saxophone and Goodrick's intricate guitar lines enriching the sound.

Download Al Haig - Blue Manhattan
Artist: Al Haig
Album: Blue Manhattan

Table of Contents

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Filename: al-haig-blue-manhattan.rar
  • MP3 size: 52.2 mb
  • FLAC size: 328.5 mb

Tracks

TrackDurationPreview
Impressions4:45
Loner6:20
Land Of Living Dead6:15
Land of Living Dead
Nuages7:59
Barcelona7:32
Footprints5:36
Un Poco Loco5:48
Blue Manhattan6:39

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Catalog Numbers

  • CEJC00266
  • MYCJ-30377

Labels

Interplay Records

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Formats

  • Vinyl
  • LP
  • Album
  • Reissue
  • CD

Companies

RoleCompany
Manufactured ByCentury Records Co., Ltd.
Licensed FromInterplay Records
Licensed ThroughArt Union Corporation
Recorded AtRCA Studios, New York

Credits

RoleCredit
BassReggie Johnson
CoordinatorShuichi Iwama
DesignTakeshi Masuda
DrumFrank Gant
Liner Notes後藤雅洋
PianoAl Haig
ProducerToshiya Taenaka

Notes

  • Recorded January 4, 1980. At RCA Studio, NYC.
  • Recorded January 4, 1980
  • at RCA Studio, NYC

Barcodes

  • Matrix / Runout (Side A, stamped): CEJC-00266A-1 A 1
  • Matrix / Runout (Side B, stamped): CEJC-00266B-1 A 1
  • Rights Society: JASRAC

About Al Haig

American jazz pianist and one of the pioneers of bebop. Born : July 19, 1922 in Newark, New Jersey. Died : November 16, 1982 in New York City, New York. (Heart attack) Al started playing with and in 1945 , and performed and recorded under Gillespie from 1945 to 1946, as a member of in 1946 (also featuring ), and in 1947, under Parker from 1948 to 1950, and under from 1949 to 1951. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style. He was part of the celebrated nonet on the first session of ' Birth of the Cool. Although Haig became known for his distinctive and pioneering bebop style, he in fact spent much of his career playing in non-jazz contexts. His work was the subject of a revival in the 1970s. In 1969 Haig was acquitted of a murder charge. He had been accused of strangling his third wife, Bonnie, at their home in Clifton, New Jersey on 9 October 1968. He had said in evidence that his wife had been drunk, and had died in a fall down a flight of stairs. Grange Rutan, Haig's second wife, challenged Haig's account in her 2007 book, Death of a Bebop Wife. Rutan's book is partly autobiographical, partly based on interviews with friends and family members. She describes Bonnie's story in detail, describing an underside to Haig that included a history of serial domestic abuse. Rutan notes that several family members sounded alarm bells regarding Haig's violent personality that went unheeded. Importantly, she quotes bassist , who was talking with Haig before a performance at the Edison Hotel lounge in the early seventies, when Haig admitted to him he had caused Bonnie's death. In 1974 Haig was invited to tour Europe by , owner of in the UK. At the end of a very successful tour he recorded the 'Invitation' album for Spotlite, with , on bass and on drums. This kick-started his re-emergence and over the next eight years he built a strong following in Europe and toured several times, recording in the UK and France, and appearing elsewhere. He recorded for several Japanese labels

Real Name

    • Allan Warren Haig

Name Vars

  • A. Haig
  • Al Hague
  • Al Haige
  • Al Haigh
  • Al. Haig
  • All Haig
  • Chloe
  • Haig
  • Эл Хэйг
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Summary by Jerry Danjuma

Blue Manhattan is a must-have for any jazz lover, and a testament to Al Haig's talent as a pianist and composer. Its timeless beauty and elegance make it a perfect soundtrack for a night in the city, or a quiet moment of contemplation.