Vivaldi Delphine Galou, Academia Bizantina, Ottavio Dantone - Musica Sacra Per Alto
Table of Contents
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Tracks
Track | Duration | Preview |
---|---|---|
Antifona 'Regina Cœli', RV 615 Per Contralto, Due Trombe E Orchestra | ||
Hymnus 'Deus Tuorum Militum', RV 612 Per Contralto, Tenore, Due Oboi E Orchestra | 3:56 | |
Recitativo Accompagnato: Ibi Spinis Confixus | 1:58 | |
Aria: Salve Regina | 3:48 | |
Introdutione Al Misere 'Non In Pratis', RV 641 Per Contralto E Orchestra | ||
Aria: Ad Te Suspiramus | 3:10 | |
Aria: Eia Ergo | 1:33 | |
Aria: Et Jesum, Benedictum | 1:47 | |
Concerto In Re Maggiore 'Per La SSma Assontione Di Maria Vergine', RV 582 In Due Orchestra | ||
Recitativo: Resurrexit, Sicut Dixit, Alleluja | ||
Largo | 4:22 | |
Recitativo: Ora Pro Nobis Deum, [Alleluja] | 4:01 | |
Aria: Sileant Zephyri | 6:02 | |
Aria: Ad Te Clamamus | 1:37 | |
Recitativo: Non In Pratis Aut In Hortis | ||
Recitativo Accompagnato: Sed Tenebris Diffusis | 0:57 | |
Introdutione Al Miserere 'Filiae Maestae Jerusalem', RV 638 Per Contralto E Orchestra | ||
Aria: Pro Me Caput Spinas Habet | 8:16 | |
Recitativo Accompagnato: Filiae Mæstæ Jerusalem | 1:44 | |
Allegro | 5:33 | |
Recitativo: Quæsone Facias, Domine | 0:52 | |
Aria: O Clemens, O Pia | 2:32 | |
Antifona 'Salve Regina', RV 618 Per Contralto E Orchestra A Due Cori |
Images
Catalog Numbers
OP 30569Labels
NaïveListen online
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Formats
- CD
- Album
Companies
Role | Company |
---|---|
Phonographic Copyright (p) | Naïve |
Copyright (c) | Naïve |
Recorded At | Sala Oriani In Bagnacavallo, Ravenna |
Made By | MDI |
Credits
Role | Credit |
---|---|
Artwork | Elise Belkaïd |
Composed By | Antonio Vivaldi |
Contralto Vocals | Delphine Galou |
Directed By | Ottavio Dantone |
Edited By | Laure Casenave-Péré |
Mixed By | Laure Casenave-Péré |
Mastered By | Laure Casenave-Péré |
Engineer | Vincent Mons |
Ensemble | Accademia Bizantina |
Photography By | Denis Rouvre |
Cover | Denis Rouvre |
Producer | Laure Casenave-Péré |
Tenor Vocals | Alessandro Giangrande |
Violin | Alessandro Tampieri |
Concertmaster | Alessandro Tampieri |
Notes
- Recorded in January 2018, Sala Oriani, Convento San Francesco, Bagnacavallo (Italy).
- ℗ 2018 & © 2018 naïve, a label of Believe Group
- Made in France.
- Standard jewel case, clear tray, 36-page booklet, slipcase.
Barcodes
- Barcode (Scanned): 709861305698
- Label Code: LC 0540
- Rights Society: SACEM SDRM SACD SGDL
- Matrix / Runout: MDI – 111473
- Mastering SID Code: IFPI L373
- Mould SID Code: ifpi 5722
About Vivaldi Delphine Galou, Academia Bizantina, Ottavio Dantone
Italian Baroque composer, virtuoso violinist, teacher and cleric.
Born March 4, 1678, Sestiere di San Marco, Repùblica Vèneta, Italy. Died July 28, 1741, Kärntnertor, Vienna, Austria.
He is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons".
Vivaldi's career as a violinist and composer was almost inevitable. His father was Giovanni Battista Vivaldi, a founder of the Sovvegno dei musicisti di Santa Cecilia, an early musician's collective, who's President was the Baroque operatic composer and tutor Giovanni Legrenzi. As a youth, touring and performing around Venice in accompaniment on the violin with his father, he is likely to have been influenced by Legrenzi who had become maestro di cappella at St. Mark's Basilica in 1681.
A redhead like his father, Vivaldi took up the course of attaining a priesthood in 1693 and became ordained in 1703, referred to by those around him as "Il Prete Rosso" because of his red hair. By late 1703 he was unable to maintain his practice in the priesthood due to ill health and sought employment as a tutor of music, retaining his reverential title.
By 1704 he worked as maestro of violin in Venice at the orphanage of the Devout Hospital of Mercy, an institution known as Conservatorio dell'Ospedale della Pietà, providing shelter to orphaned and abandoned children. Here the boys were taught a trade, whilst the girls were given a musical education. The talented were selected for the conservatory's orchestra & choir, which gained high regard both in Venice and abroad. Vivaldi used this period to write the majority of his concertos, cantatas and arias.
The institute provided an ideal environment for Vivaldi to explore the avenues of the ritornello form. The first of his works were published in 1705, a second Opus in 1709. His third Opus was published in Amsterdam in 1711 and gained him enthusiastic attention throughout Europe followed by a fourth Opus in 1714. He became Musical Director of the Pietà's institute in 1716 and was contracted to provide two concerti a month for the orchestra. Papers from the Pietà's history show that Vivaldi produced 140 concerti between 1723 and 1733.
In 1714 Vivaldi took on the role of impresario of the theater Sant'Angelo in Venice, presenting "Orlando finto pazzo
Real Name
- Antonio Lucio Vivaldi
Name Vars
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- A, Vivaldi
- A. Vivaldi
- A. Vivaldi (1678-1741)
- A. Vivaldis
- A. Vivaldy
- A. Vivardi
- A. vivaldi
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- Anton Vivaldi
- Antoni Vivaldi
- Antonio
- Antonio (Lucio) Vivaldi
- Antonio L. Vivaldi
- Antonio Licio Vivaldi
- Antonio Lucio Vivaldi
- Antonio Vivaldi (?)
- Antonio Vivaldi, 1678-1741
- Antonio Vivaldi?
- António Vivaldi
- D. Antonio Vivaldi
- Don Antonio Vivaldi
- G. Verdi
- VIVALDI
- VIvaldi
- Vavaldi
- Viva Vivaldi
- Vivald
- Vivaldi
- Vivaldi A.
- Vivaldi Antonio
- Vivaldi Antonio Lucio
- Vivaldi,
- Vivaldi, Antonio
- Vivaldis
- Vivaldy
- Vivladi
- Βιβάλντι
- А. Вивалди
- А. Вивальди
- А. Вівальді
- А.Вивальди
- А.Вівальді
- Антонио Вивалди
- Антонио Вивальди
- Антонио Вивальди (1678-1741)
- Антоніо Вівальді
- Вивалди
- Вивальди
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