Telemann, Il Giardino Armonico, Giovanni Antonini - Telemann

sanderw013

Review by Sander Wijdemans

Telemann's self-titled album, performed by Il Giardino Armonico under the direction of Giovanni Antonini, is a stunning display of Baroque music at its finest. The ensemble's technical precision and attention to detail are evident throughout the album, highlighting the composer's virtuosic writing style.

The album features a diverse range of instrumental works, including concertos for flute, viola, and violin, as well as orchestral suites and overtures. Each piece is performed with a sense of energy and vitality, showcasing the dynamic range of Telemann's compositions.

One standout track is the Concerto for Flute and Recorder in E minor, which features a lively dialogue between the two solo instruments. The ensemble's seamless interplay and nuanced phrasing create a sense of musical conversation, making for a truly captivating listening experience.

Table of Contents

Download

Filename: telemann-il-giardino-armonico-giovanni-antonini-telemann.rar
  • MP3 size: 54 mb
  • FLAC size: 1045.8 mb

Tracks

TrackDurationPreview
Les Plaisirs
Allegretto
Andante
Passepieds
Ouverture
Allegro
Largo
Menuets
Prelude
Polonoise
Bourée
Vivace
Menuet
Tempo Di Menuet
Réjouissance Vite
Air A L'Italien
Siciliana
Grave

Images

Album herunterladen Telemann, Il Giardino Armonico, Giovanni Antonini - Telemann

Catalog Numbers

Alpha 254

Labels

Alpha Classics

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Formats

  • 2 × Vinyl
  • LP
  • Album
  • 180 gr.

Credits

RoleCredit
Composed ByGeorg Philipp Telemann
FluteGiovanni Antonini
ChalumeauGiovanni Antonini
ConductorGiovanni Antonini
OrchestraIl Giardino Armonico

About Telemann, Il Giardino Armonico, Giovanni Antonini

German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany). Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701. Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music. Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.

Real Name

    • Georg Philipp Telemann

Name Vars

  • C. P. Telemann
  • C.-Ph. Telemann
  • Friedrich Telemann
  • G Ph Telemann
  • G. F. Teleman
  • G. F. Telemanas
  • G. F. Telemann
  • G. P. Teleman
  • G. P. Telemann
  • G. P.Telemann
  • G. PH. Telemann
  • G. Ph. Teleman
  • G. Ph. Telemann
  • G. Ph.Telemann
  • G. Ph: Telemann
  • G. Phil. Telemann
  • G. Philipp Telemann
  • G. Telemann
  • G. Th. Telemann
  • G.-P. Telemann
  • G.-Ph. Telemann
  • G.F. Teleman
  • G.F. Telemann
  • G.F. Theleman
  • G.P Telemann
  • G.P. Teleman
  • G.P. Telemann
  • G.P. Telleman
  • G.P.H. Telemann
  • G.P.Telemann
  • G.P.ÆìÞó
  • G.PH. Telemann
  • G.Ph. Telemann
  • G.Ph.Telemann
  • G.Ph.೰njۼ
  • Georg Fhilipp Telemann
  • Georg Friedrich Telemann
  • Georg P. Telemann
  • Georg PH. Telemann
  • Georg Ph. Teleman
  • Georg Ph. Telemann
  • Georg Philip Telemann
  • Georg Philipp Telemann (1681-1767)
  • Georg Philippe Telemann
  • Georg Phillip Teleman
  • Georg Phillip Telemann
  • Georg Phillipe Telemann
  • Georg Phillipp Telemann
  • Georg Telemann
  • Georg-Ph. Telemann
  • Georg-Philip Telemann
  • Georg-Philipp Telemann
  • Georg. Philipp Telemann
  • George P. Telemann
  • George Ph. Telemann
  • George Philip Telemann
  • George Philipp Telemann
  • George Philippe Telemann
  • George Phillip Telemann
  • George Phillipp Telemann
  • Georges Philippe Telemann
  • Georges-Philippe Telemann
  • Gg. Ph. Telemann
  • Gg. Phil. Telemann
  • Giorgio Filippo Telemann
  • J. PH. Teleman
  • J. Ph. Telemann
  • J.-Phi. Telemann
  • J.Ph. Telemann
  • P. Telemann
  • Ph Telemann
  • Philipp Telemann
  • TELEMANN
  • Teleman
  • Telemann
  • Telemann G. P.
  • Telemann G.F.
  • Telemann G.P.
  • Telemann Georg Philipp
  • Telemann,
  • Telemann, G. Ph.
  • Telemann, Georg Philipp
  • Telemann:
  • Tellemann
  • Télémann
  • Τέλεμαν
  • Г. Телеман
  • Г. Ф. Гендель
  • Г. Ф. Телеман
  • Г. Ф. Телемана
  • Г.Ф. Телеман
  • Г.Ф.Телеман
  • Георг Филипп Телеман
  • Георг Фрідріх Телеман
  • Телеман
  • Ф. Телеман
  • ²ªë¯ûÕ£êÃ×ûÆìÞó
  • ÆìÞó
sanderw013

Summary by Sander Wijdemans

Telemann's self-titled album is a must-have for any Baroque music enthusiast. Il Giardino Armonico and Giovanni Antonini's masterful interpretation of Telemann's works is a testament to the enduring appeal of this era of classical music.