Karlheinz Stockhausen - Kontakte Refrain Zyklus
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Filename: karlheinz-stockhausen-kontakte-refrain-zyklus.rar- MP3 size: 35.7 mb
- FLAC size: 335.3 mb
Tracks
Track | Duration | Preview |
---|---|---|
Refrain Für Drei Spieler | 10:55 | |
Zyklus Für Einen Schlagzeuger (Erste Version) | 11:40 | |
Refrain | 10:55 | |
Zyklus Für Einen Schlagzeuger (Zweite Version) | 10:30 | |
Zyklus /Cycle (Erste/First Version) | 11:40 | |
Kontakte/Contacts (1959/1960) | 34:35 | |
Kontakte Für Elektronische Klänge, Klavier Und Schlagzeug | 34:45 |
Images
Catalog Numbers
- 310 020 H1
- 110 020 FA
Labels
- Koch Schwann Musica Mundi
- Koch Schwann
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Formats
- CD
- Album
- Vinyl
- LP
Companies
Role | Company |
---|---|
Distributed By | Koch Records International |
Copyright (c) | Koch-Records GmbH Schwann |
Phonographic Copyright (p) | Koch-Records GmbH Schwann |
Published By | B. Schott's Söhne |
Made By | Koch Digitaldisc |
Credits
Role | Credit |
---|---|
Celesta | Fred Rensch (tracks: 2) |
Cymbal | Fred Rensch (tracks: 2) |
Composed By | Karlheinz Stockhausen |
Engineer | Dietram Köster |
Mixed By | Nora Born |
Percussion | Mircea Ardeleanu |
Vibraphone | Mircea Ardeleanu |
Cowbell | Mircea Ardeleanu |
Photography By | Peter J. Kahrl |
Design | Peter J. Kahrl |
Piano | Bernhard Wambach (tracks: 2,3) |
Wood Block | Bernhard Wambach (tracks: 2,3) |
Producer | Solf Schäfer |
Recording Supervisor | Andreas Heintzeler |
Notes
- Track 1: 1959
- Track 2: 1959
- Track 3: 1959/1960
- Made & Printed in Austria.
- Production: Radio Bremen in koproduktion mit Koch-Schwann (1987/88).
- Recorded in 1988.
Barcodes
- Barcode: 9002723100209
- Barcode (Text): 9 002723 100209
- Label Code: LC 1083
- SPARS Code: DDD
- Rights Society: Austro Mechana
- Matrix / Runout: MADE BY KOCH 000.000.310.020.2 @ 1
About Karlheinz Stockhausen
Born: August 22, 1928 (Mödrath, Kerpen, Germany)
Died: December 05, 2007 (Kürten, Germany)
Karlheinz Stockhausen was a German composer, acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is most known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen's Mode de valeurs at Darmstadt in 1951. There he saw the possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there Stockhausen made his first foray into electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge (1956) for vocal and synthesized sounds on tape. At the same time, he pursued the ramifications of serial instrumental music. In 1958 he made his first visit to the USA, and around this time his music became more relaxed, both in its density of events and in its notational exactitude. This was partly a result of 's influence, and partly it came from the experience of electronic music, which suggested a different way of hearing.
His influence extended over a whole generation of European composers, including such contemporaries as Boulez and Berio.
Father of , Christel, , , Julika and .
Real Name
- Karlheinz Stockhausen
Name Vars
- K. Stockhausen
- K.-H. Stockhausen
- Karl Heinz Stockhausen
- Karl-Heinz Stockhausen
- KarlHeinz Stockhausen
- Karlheinz
- Stock Havsen
- Stockhausen
- Карлхајнц Штокхаузен