Karlheinz Stockhausen - Kontakte Refrain Zyklus

carltonlivingston

Review by Carlton Livingston

Kontakte Refrain Zyklus by Karlheinz Stockhausen is a unique and innovative album that showcases the composer's avant-garde style and experimental approach to music. The album features a series of electronic compositions that blend various sounds and textures to create a complex and intricate sonic landscape.

The album opens with "Kontakte," a piece that incorporates electronic sounds, percussion, and piano to create a dynamic and captivating sound. The track is a masterful display of Stockhausen's ability to blend different elements to create a cohesive and engaging composition.

The second track, "Refrain," is a more subdued piece that features a repetitive vocal refrain that is layered over a subtle electronic backing. The track is haunting and atmospheric, and showcases Stockhausen's ability to create a sense of tension and emotion through his music.

The final track, "Zyklus," is a percussion solo that features complex rhythms and intricate patterns. The piece is a tour-de-force of percussion virtuosity and is a testament to Stockhausen's skill as a composer and musician.

Download Karlheinz Stockhausen - Kontakte Refrain Zyklus
Artist: Karlheinz Stockhausen
Album: Kontakte Refrain Zyklus
Rating: 5.0

Table of Contents

Download

Filename: karlheinz-stockhausen-kontakte-refrain-zyklus.rar
  • MP3 size: 35.7 mb
  • FLAC size: 335.3 mb

Tracks

TrackDurationPreview
Refrain Für Drei Spieler 10:55
Zyklus Für Einen Schlagzeuger (Erste Version)11:40
Refrain 10:55
Zyklus Für Einen Schlagzeuger (Zweite Version) 10:30
Zyklus /Cycle (Erste/First Version)11:40
Kontakte/Contacts (1959/1960)34:35
Kontakte Für Elektronische Klänge, Klavier Und Schlagzeug 34:45

Images

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Catalog Numbers

  • 310 020 H1
  • 110 020 FA

Labels

  • Koch Schwann Musica Mundi
  • Koch Schwann

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Formats

  • CD
  • Album
  • Vinyl
  • LP

Companies

RoleCompany
Distributed ByKoch Records International
Copyright (c)Koch-Records GmbH Schwann
Phonographic Copyright (p)Koch-Records GmbH Schwann
Published ByB. Schott's Söhne
Made ByKoch Digitaldisc

Credits

RoleCredit
CelestaFred Rensch (tracks: 2)
CymbalFred Rensch (tracks: 2)
Composed ByKarlheinz Stockhausen
EngineerDietram Köster
Mixed ByNora Born
PercussionMircea Ardeleanu
VibraphoneMircea Ardeleanu
CowbellMircea Ardeleanu
Photography ByPeter J. Kahrl
DesignPeter J. Kahrl
PianoBernhard Wambach (tracks: 2,3)
Wood BlockBernhard Wambach (tracks: 2,3)
ProducerSolf Schäfer
Recording SupervisorAndreas Heintzeler

Notes

  • Track 1: 1959
  • Track 2: 1959
  • Track 3: 1959/1960
  • Made & Printed in Austria.
  • Production: Radio Bremen in koproduktion mit Koch-Schwann (1987/88).
  • Recorded in 1988.

Barcodes

  • Barcode: 9002723100209
  • Barcode (Text): 9 002723 100209
  • Label Code: LC 1083
  • SPARS Code: DDD
  • Rights Society: Austro Mechana
  • Matrix / Runout: MADE BY KOCH 000.000.310.020.2 @ 1

About Karlheinz Stockhausen

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Born: August 22, 1928 (Mödrath, Kerpen, Germany) Died: December 05, 2007 (Kürten, Germany) Karlheinz Stockhausen was a German composer, acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is most known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization. He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen's Mode de valeurs at Darmstadt in 1951. There he saw the possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there Stockhausen made his first foray into electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge (1956) for vocal and synthesized sounds on tape. At the same time, he pursued the ramifications of serial instrumental music. In 1958 he made his first visit to the USA, and around this time his music became more relaxed, both in its density of events and in its notational exactitude. This was partly a result of 's influence, and partly it came from the experience of electronic music, which suggested a different way of hearing. His influence extended over a whole generation of European composers, including such contemporaries as Boulez and Berio. Father of , Christel, , , Julika and .

Real Name

    • Karlheinz Stockhausen

Name Vars

  • K. Stockhausen
  • K.-H. Stockhausen
  • Karl Heinz Stockhausen
  • Karl-Heinz Stockhausen
  • KarlHeinz Stockhausen
  • Karlheinz
  • Stock Havsen
  • Stockhausen
  • Карлхајнц Штокхаузен
carltonlivingston

Summary by Carlton Livingston

Kontakte Refrain Zyklus is a must-listen for fans of avant-garde music and electronic music. The album is a masterful display of Stockhausen's unique style and showcases his ability to push the boundaries of music and create something truly original and captivating.