Hermann Nitsch - Musik Der 80Aktion

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Review by Arturo Vasquez

Musik Der 80Aktion by Hermann Nitsch is an experimental album that captures the essence of the 80s music scene. The album features a combination of electronic and classical sounds that merge to create an atmospheric and intense listening experience.

The album is a testament to Nitsch's innovative approach to music, which is evident in each track. The use of unconventional instruments and sounds adds to the unique nature of the album. The tracks are layered with different sounds, creating a dense and textured sound that is both mesmerizing and captivating.

One of the standout tracks on the album is "Orgelstück," which features a haunting organ melody that is both beautiful and eerie. Another standout track is "Sinfonie Für Chor," which showcases Nitsch's ability to create complex and intricate soundscapes.

Download Hermann Nitsch - Musik Der 80Aktion
Artist: Hermann Nitsch
Album: Musik Der 80Aktion

Table of Contents

Download

Filename: hermann-nitsch-musik-der-80aktion.rar
  • MP3 size: 277.2 mb
  • FLAC size: 2124 mb

Tracks

TrackDurationPreview
Dritter Tag: Finale Des Dritten Tages (Panzer)
Erster Tag: Ausweidung Der Schweine
Zweiter Tag: Tierumzug
Dritter Tag: Oidipus Vor Geschlachtetem Stier
Erste Nacht: Musik In Kirche
Erster Tag: Finale Des Ersten Tages
Erster Tag: Sonnengesang
Dritter Tag: Messe
Zweite Nacht: Finale Des Zweiten Tages
Erster:Tag: Stierschlachtung, Ausweidung
Erster Tag: Tierprozession
Zweiter Tag: Zerreissung Des Dionysos
Zweiter Tag: Drei Gekreuzigte Vor Stier
Dritter Tag: Sonnengesang
Dritter Tag: Wühlaktionen
Erster Tag: Schlachtung Des Ersten Schweines
Erster Tag: Erste Und Zweiter Kreuzigung Des Oidipus
Zweite Nacht: Aktion Im Keller
Zweite Nacht: Kelleraktion, Traubentrampeln
Erster Tag: Ausweidungsaktionen In Becken
Dritter Tag: Prozessionen
Erster Tag: Trampeln Auf Trauben
Erste Nacht: Nachtmusik
Zweite Nacht: Sonnengesang (Beginn Des Dritten Tages)
Dritter Tag: Schafausweidungen
Zweiter Tag: Ausweidung Der Schweine
Erster Tag: Kreuzaufrichtung Vor Stier
Zweite Nacht: Nachtmusik
Dritter Tag: Erste Und Zweite Stierschlachtung
Erste Nacht: Harmoniummusik Auf Schüttboden
Zweiter Tag: Tierprozession
Erster Tag: Schlachtung Des Zweiten Schweines
Zweiter Tag: Schlachtung Von Zwei Schweinen
Zweiter Tag: Stierschlachtung
Dritter Tag: Sonnengesang, Schafausweidungen
Dritter Tag: Finale Des Dritten Tages

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Catalog Numbers

plana-N 3AKT.050

Labels

Alga Marghen

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Formats

  • 20 × CDr Box Set
  • Limited Edition
  • Numbered
  • Reissue

Credits

RoleCredit
Music DirectorHeinz Prammer
OrchestraChor Und Orchester Des O.M. Theaters
ChoirChor Und Orchester Des O.M. Theaters

Notes

  • Box (25.5 x 19.5 x 17.5 cm) contains:
  • Twenty hand numbered CDr’s in jewel case. Each CDr has different artwork.
  • Hermann Nitsch - Das Orgien Mysterien Theater. Band 4: 80. Aktion (Paperback, Freibord, 1984. Signed).
  • Hermann Nitsch - 80. Aktion. Das Orgien Mysterien Theater (Paperback, Fred Jahn, 1988. Signed).
  • Poster (58 x 83 cm, numbered and signed).
  • Blood relic (numbered and signed)
  • Info sheet.
  • Edition of 50 numbered copies.

About Hermann Nitsch

Austrian avant-garde artist, born 29 August 1938 in Vienna, Austria, died 18 April 2022 in Mistelbach, Austria. While studying graphic illustration, he became interested in religious art. He made copies from Rembrandts 100 Gulden Blatt and Christ Crucified, and from other religious themes by artists such as Tintoretto and El Greco. Other drawings Hermann Nitsch made at this time were strongly influenced by Cézanne, Klimt and Munch, amongst others. From around 1957 onwards, the depiction of Dionysian revelry and ceremonies began to feature in his work. In 1957, Hermann Nitschs idea for a radical theatre was conceived, which he called the Orgien Mysterien Theater. The O.M. Theatre took its shape from ideas about Aristotelian catharsis, Freudian psychology, conventional theatre, and Dionysic orgy. It is an attempt to create a Gesamtkunstwerk, a total art, or mystical experience that involves all the senses. The first performances of the O. M. Theatre consisted of Hermann Nitsch and friends using animal carcasses, entrails, and blood in a ritualistic way. The cloths, bandages and other fabrics used in these performances introduced Nitsch to the idea of making paintings. 1960 saw the first exhibition of his 'Aktion' paintings in Vienna. In the mid-60s Nitschs theatre pieces were also performed in Vienna. During that period, his use of taboo images put him out of favour with the authorities. His Aktions were interrupted by the police and closed down. Hermann Nitsch served time in prison for blasphemy and provoking a scandal. In 1968, Jonas Mekas invited him to New York, where he met the Fluxus performance artists. He staged 'Aktions' in the streets of New York, as well as at the Judson Church & Cinematheque. In 1971 Hermann Nitsch bought Prinzendorf castle in the wine-producing area of northern Austria, so that it might become a centre for the activities of the O. M. Theatre. During this time Hermann Nitsch staged performances and exhibitions in Italy, France, the US, and Germany. He was also planning a three day (and night) performance. The music that Hermann Nitsch composed himself was becoming increasingly prominent in his performances

Name Vars

  • H. Nitsch
  • Herman Nitsch
  • Nitsch
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Summary by Arturo Vasquez

Musik Der 80Aktion by Hermann Nitsch is a must-listen for fans of experimental music. The album is a masterclass in sound design and composition, with each track offering something new and exciting. It is a testament to Nitsch's talent and creativity, and is sure to leave a lasting impression on anyone who listens to it.