Gabrieli Michel Corboz, Chorus Of The Gulbenkian Foundation, Gulbenkian Orchestra - Sacrae Symphoniae Volume I
Artist: Gabrieli Michel Corboz, Chorus Of The Gulbenkian Foundation, Gulbenkian Orchestra
Album: Sacrae Symphoniae Volume I
Rating: 4.33
Album: Sacrae Symphoniae Volume I
Rating: 4.33
Table of Contents
Download
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Tracks
Track | Duration | Preview |
---|---|---|
Mass | ||
Kyrie | 3:15 | |
Canzon Primi Toni | 2:22 | |
Gloria | 5:34 | |
Plaudite Omnis Terra | 4:41 | |
Magnificat | 3:44 | |
Conzon Noni Toni | 1:41 | |
Jubilate Deo | 4:14 | |
Cantate Domino | 4:08 | |
Ego Rogabo Ad Patrem | 2:54 | |
Sanctus | 2:27 | |
Miserere Mei Deus | 3:48 | |
Domine Exaudi Orationem Meam | 2:39 | |
Diligam Te Domine | 3:47 | |
Virtute Magna | 3:08 |
Images
Catalog Numbers
MHS 1737Labels
Musical Heritage SocietyListen online
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Formats
- Vinyl
- LP
- Album
Companies
Role | Company |
---|---|
Recorded By | Erato |
Credits
Role | Credit |
---|---|
Alto Vocals | Helena Claudio, Nicole Rossier |
Bass Vocals | José Aguiar , Philippe Huttenlocher |
Choir | Chorus Of The Gulbenkian Foundation |
Conductor | Michel Corboz |
Orchestra | Gulbenkian Orchestra |
Organ | Antoine Sibertin-Blanc |
Soprano Vocals | Jennifer Smith , Joana Silva |
Tenor Vocals | Fernando Serafim, Olivier Dufour |
Trombone | Imídio Coutinho , Jean-Louis Plaindoux |
Trumpet | António Reis Gomes, Bernard Jeannoutot, Jean-Jacques Pfister, Pierre Thibaud |
About Gabrieli Michel Corboz, Chorus Of The Gulbenkian Foundation, Gulbenkian Orchestra
Italian composer and organist (c. 1554/1557 12 August 1612).
He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.
Gabrieli was a leading figure in Renaissance Venetian music. He succeeded his uncle Andrea Gabrieli, an organist at Venice's St. Mark Basilica after his uncle's death in 1586 and retained this position until his own death in 1612. His work as a composer represents the height of musical achievement in Renaissance Venice.
Gabrieli continued the traditional cori spezzati techniques developed at St. Mark's during the sixteenth century, contrasting different groups of singers and instrumentalists and making use of the spatial effects possible in the great basilica. His eight-part setting of the Jubilate, using double choir and brass, is typical of his style of writing.
The most widely known of Gabrieli's works is the Sonata pian' e forte, an eight-part composition for two four-part groups of wind instruments included in the Sacrae Symphoniae of 1597, with a number of instrumental Canzoni for between six and sixteen parts. These works, and a quantity of compositions of a similar kind, including Toccatas and Ricercars, have provided an interesting repertoire for modern brass players, although originally they were played by instruments such as the sackbuts (the earlier form of trombone), and the cornetti (curved wooden instruments with a cup-shaped mouth-piece).
Real Name
- Giovanni Gabrieli
Name Vars
- A. Gabrielli
- G Gabrieli
- G. Gabriel
- G. Gabrieli
- G. Gabrielli
- G.Gabrieli
- Gabriele
- Gabrieli
- Gabrieli G.
- Gabrielli
- Giovani Gabrieli
- Giovanni
- Giovanni Gabriele
- Giovanni Gabrielli
- Giovanni Habrieli
- Дж. ГАБРИЕЛИ
- Дж. Габриели
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