E Power Biggs Bach - The Eight Little Preludes And Fugues

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Review by Bessie Blanco

The Eight Little Preludes and Fugues by E Power Biggs Bach is a classic album that showcases the mastery of one of the greatest composers of all time. The album is a collection of eight preludes and fugues that are arranged in ascending order of key signatures.

E Power Biggs, a renowned organist, brings to life the beauty and complexity of Bach's compositions with his skillful playing. His interpretation of the preludes and fugues is impeccable, and he captures the essence of Bach's music with his precise and controlled performance.

The album is a perfect example of Bach's genius, as it showcases his ability to create complex and intricate compositions that are both beautiful and technically challenging. The preludes and fugues are full of rich harmonies, intricate textures, and intricate counterpoint, which are masterfully executed by Biggs.

Download E Power Biggs Bach - The Eight Little Preludes And Fugues
Artist: E Power Biggs Bach
Album: The Eight Little Preludes And Fugues

Table of Contents

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Filename: e-power-biggs-bach-the-eight-little-preludes-and-fugues.rar
  • MP3 size: 45.9 mb
  • FLAC size: 353.7 mb

Tracks

TrackDurationPreview
Prelude And Fugue No. 1
Prelude And Fugue No. 5
Prelude And Fugue No. 4
Prelude And Fugue No. 3
Prelude And Fugue No. 6
Prelude And Fugue No. 7
Prelude And Fugue No. 2
Fantasy In G Minor, BWV 572
Prelude And Fugue No. 8

Catalog Numbers

ML 5078

Labels

Columbia Masterworks

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Formats

  • Vinyl
  • LP
  • Album
  • Mono

Credits

RoleCredit
ArtworkM. Davies

Notes

Canadian pressing with grey 2-eye labels.

Barcodes

  • Matrix / Runout (Side A runout): XLP36852-1C 1
  • Matrix / Runout (Side A label): x"Lp" 36852
  • Matrix / Runout (Side B runout): XLP36853-1D
  • Matrix / Runout (Side B label): x"Lp" 36853

About E Power Biggs Bach

English organist and harpsichordist. *29 March 1906 in Westcliff-on-Sea, England, UK 10 March 1977 in Cambridge, Massachusetts, USA Biggs was born in Westcliff-on-Sea, Essex, England; a year later, the family moved to the Isle of Wight. Biggs was trained in London at the Royal Academy of Music, where he studied with G.D. Cunningham. Biggs emigrated to the United States in 1930. In 1932, he took up a post at Christ Church in Cambridge, Massachusetts, where he lived for the rest of his life. Biggs did much to bring the classical pipe organ back to prominence, and was in the forefront of the mid-20th-century resurgence of interest in the organ music of pre-Romantic composers. On his first concert tour of Europe, in 1954, Biggs performed and recorded works of Johann Sebastian Bach, Sweelinck, Dieterich Buxtehude, and Pachelbel on historic organs associated with those composers. Thereafter, he believed that such music should ideally be performed on instruments representative of that period and that organ music of that epoch should be played by using (as closely as possible) the styles and registrations of that era. Thus, he sparked the American revival of organ building in the style of European Baroque instruments, seen especially in the increasing popularity of tracker organs  analogous to Europe's Orgelbewegung. Among other instruments, Biggs championed G. Donald Harrison's Baroque-style unenclosed, unencased instrument with 24 stops and electric action (produced by Aeolian-Skinner in 1937 and installed in Harvard's Busch-Reisinger Museum, Cambridge, Massachusetts) and the three-manual Flentrop tracker organ subsequently installed there in 1958. Many of his CBS radio broadcasts and Columbia recordings were made in the museum. Another remarkable instrument used by Biggs was the Challis pedal harpsichord; Biggs made recordings of the music of J.S. Bach and Scott Joplin on this instrument. His critics of the time included rival concert organist Virgil Fox, who was known for a more flamboyant, colorful style of performance. Fox decried Biggs' insistence on historical accuracy, claiming it was "relegating the organ to a museum piece." However, most observers agree that Biggs "should be given great credit for his innovative ideas as far as the musical material he recorded, and for making the organs he recorded even more famous." Despite different approaches, both artists enjoyed hugely successful careers and Biggs rose to the top of his profession. In addition to concertizing and recording, Biggs taught at the Longy School of Music in Cambridge, Massachusetts, at various times in his career and edited a large body of organ music. For his contribution to the recording industry, E. Power Biggs has a star on California's Hollywood Walk of Fame, at 6522 Hollywood Blvd.n

Real Name

    • Edward George Power Biggs

Name Vars

  • Biggs
  • E Power Biggs
  • E. P. Biggs
  • E. Power Briggs
  • E.P.B.
  • E.Power Biggs
  • E.ѦïüûÓð¹
  • E.ÑïüûÓð¹
  • Edvard George Power Biggs
  • Edward George Power Biggs
  • Edward Power BIggs
  • Edward Power Biggs
  • EûÑïüûÓð¹
  • Mr. Biggs
  • Power Biggs
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Summary by Bessie Blanco

The album is a must-have for anyone who loves classical music, and it is a great addition to any music collection. The Eight Little Preludes and Fugues by E Power Biggs Bach is a timeless masterpiece that will continue to inspire and delight listeners for generations to come.