Diane Labrosse - Musique Pour Objets en Voie de Disparition

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Review by Bangladesh Escorts

Musique Pour Objets en Voie de Disparition is an intriguing album by Diane Labrosse that showcases her unique approach to music-making. The album is a collection of experimental soundscapes that feature a variety of objects and instruments that are on the verge of disappearing. Labrosse's use of these objects creates a sense of nostalgia and highlights the importance of preserving our cultural heritage.

The album is a masterful blend of electronic sounds, field recordings, and acoustic instruments. Labrosse's manipulation of these sounds creates a dynamic listening experience that is both immersive and thought-provoking. The tracks are often minimalist in nature, allowing the listener to focus on the intricate details of the soundscape.

One of the standout tracks on the album is "L'heure bleue". The track features a haunting melody played on a toy piano, which is then manipulated and distorted to create a surreal and dreamlike atmosphere. Another standout track is "Le dernier cri", which features a recording of a vintage typewriter that is transformed into a percussive instrument.

Download Diane Labrosse - Musique Pour Objets en Voie de Disparition
Artist: Diane Labrosse
Album: Musique Pour Objets en Voie de Disparition

Table of Contents

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Filename: diane-labrosse-musique-pour-objets-en-voie-de-disparition.rar
  • MP3 size: 47.2 mb
  • FLAC size: 480 mb

Tracks

TrackDurationPreview
Le moulin à café manuel
Le réveille-matin à tic-tac
Le magnétophone à ruban
Le percolateur électrique
La télé noir et blanc
Le téléphone à cadran rotatif
L’imprimante
Le répondeur à cassettes

Images

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Catalog Numbers

AM 170

Labels

Ambiances Magnétiques

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Formats

CD

Barcodes

Barcode: 771028117024

About Diane Labrosse

Diane Labrosse (1950, Québec, Canada) takes pleasure in juxtaposing lyricism and absurdity, harmony and dissonance, and structure and improvisation. Her fascination with unconventional sounds naturally led her to digital sampling, to which she brings a bruitiste approach. For the last fifteen years she has regularly appeared on contemporary, improvised and avant-garde music stages both in Canada and in Europe, where she has appeared at a number of important festivals. A founding member of Justine, she has also worked with Joane Hétu and Danielle Palardy Roger in Les Poules and Wonder Brass. She is presently involved in a number of other projects, including Île bizarre with Ikue Mori and Martin Tétreault, and LOreille à Vincent with Christof Migone, Michel F. Côté, Martin Tétreault and sound sculptor Jean-Pierre Gauthier. In 1998 she and Michel F. Côté wrote the music for Robert Lepages play La géométrie des miracles, an Ex Machina production. Labrosse and Côté also wrote and were on stage to play the music for Lepages Zulu Time, a techno-cabaret performance at the Theater Spektakkel in Zürich in 1999. In recent years she has been especially active, creating music for dance (for Gilles Simard, Catherine Tardif, and Andrew Harwood), for the theater (Thirty-eight tales from Shakespeare), for the cinema (Montréal vu par&, Pendant que les arbres tombent, Lentrevue and Plan de fuite) and for radio (Le Navire Night and Les Décrocheurs détoiles). In 1997 she received a grant from the Canada Council for the Arts to write a work for thirteen instruments that Espaces Sonores Illimités commissioned for the Symphonies Portuaires. She also obtained a grant from the Conseil des Arts et des Lettres du Québec to write a work for the Toronto quartet the Burdocks that was first performed in January 1999. She has been featured on over twenty recordings, including Petit traité de sagesse pratique (2000) and Face cachée des choses (1995), her two solo albums; Télépathie (2003) with A_dontigny; Prairie orange (2002) and Les contes de lamère loi (1986) with Les Poules; Parasites (2001) with Martin Tétreault; Île Bizarre (1998), with Martin Tétreault and Ikue Mori; Langages Fantastiques (1995) and Suite (1990), with Justine; Duo Déconstructiviste (1994), with Michel F. Côté; and La Légende de la pluie (93), with J. Hétu, Z. Parkins, Danielle Palardy Roger and Tenko. She has also collaborated on compact discs by Jean Derome, Joane Hétu, Danielle P. Roger, Michel F. Côté and Geneviève Letarte.Diane Labrosse is an artistic co-director at Productions SuperMémé and her work is available on the Ambiances Magnétiques label.

Real Name

    • Diane Labrosse

Name Vars

  • D Labrosse
  • D. L.
  • D. Labrosse
  • D.Labrosse
  • DL
  • Labrosse
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Summary by Bangladesh Escorts

Musique Pour Objets en Voie de Disparition is a captivating album that showcases Diane Labrosse's unique vision and talent. It is a must-listen for anyone interested in experimental music and sound art.