The Butterfield Blues Band - The Resurrection Of Pigboy Crabshaw
Review by Abhishek Pandey
The Resurrection Of Pigboy Crabshaw by the Butterfield Blues Band is a classic blues rock album that showcases the band's exceptional musicianship and electrifying energy. Released in 1967, the album features 10 tracks that blend traditional blues with rock and roll, creating a unique and powerful sound.
The album opens with the upbeat and lively "One More Heartache," which sets the tone for the rest of the album. The band's signature horn section is prominent throughout the album, adding depth and texture to each song. The title track "The Resurrection Of Pigboy Crabshaw" is a standout with its catchy melody and soulful vocals.
The album also features several covers, including "Born Under A Bad Sign" and "Driftin' Blues," which the band infuses with their own style and energy. The instrumental track "In My Own Dream" showcases the band's exceptional musicianship, with each member taking a turn to shine.
Table of Contents
Download
Filename: the-butterfield-blues-band-the-resurrection-of-pigboy-crabshaw.rar- MP3 size: 49.4 mb
- FLAC size: 533 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Born Under A Bad Sign | 4:10 | |
| Pity The Fool | 6:00 | |
| Drivin´ Wheel | 5:34 | |
| Droppin´ Out | 2:16 | |
| One More Heartache | 3:20 | |
| Driftin' And Driftin' | 9:09 | |
| Droppin' Out | 2:16 | |
| Double Trouble | 5:38 | |
| Run Out Of Time | 2:59 | |
| Tollin' Bells | 5:23 | |
| Driftin´ And Driftin´ | 9:09 | |
| Tollin´ Bells | 5:23 | |
| Drivin' Wheel | 5:34 |
Video
ONE MORE HEARTACHE - Butterfield Blues Band
Images
Catalog Numbers
- 74015-2
- EKT-A-74015
- EKL-4015
- EKS-74015
- CLVLXEK. 219
- K 42017
- EKS 74015
- 7559-74015-2
- EKS 4015
- EKL 4015
- 42 017
- SJET-8084
- ED 301
- LP 5097
- BEA45515
- EKS 74 015
Labels
- Elektra, Asylum Records
- Elektra
- Disques Vogue
- Edsel Records
- Sundazed Music
- Bearsville
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Formats
- CD
- Album
- Club Edition
- 4-Track Cartridge
- Vinyl
- LP
- Promo
- Mono
- Monarch
- Stereo
- Terre Haute Pressing
- Reissue
- Monarch Pressing
- Allentown Pressing
- Red Label
- Test Pressing
Companies
| Role | Company |
|---|---|
| Manufactured For | BMG Direct Marketing, Inc. |
| Duplicated By | Muntz Stereo-Pak |
| Mastered At | Customatrix |
| Published By | Jobete Music |
| Pressed By | Allentown Record Co. Inc. |
| Licensed From | Elektra |
| Printed By | J.Colombet, Paris XV |
| Phonographic Copyright (p) | Elektra/Asylum Records |
| Copyright (c) | Elektra/Asylum Records |
| Distributed By | WEA Records Ltd. |
| Manufactured By | Elektra/Asylum/Nonesuch Records |
| Record Company | Victor Company Of Japan, Ltd. |
| Produced For | Groscourt Productions, Inc. |
| Made By | Metronome Records GmbH |
Credits
| Role | Credit |
|---|---|
| Alto Saxophone | Dave Sanborne |
| Artwork | Kim Whitesides |
| Bass | Bugsy Maugh |
| Design | William S. Harvey |
| Art Direction | William S. Harvey |
| Drums | Phil Wilson |
| Guitar | Elvin Bishop |
| Harmonica | Paul Butterfield |
| Vocals | Paul Butterfield |
| Keyboards | Mark Naftalin |
| Photography By | Joel Brodsky |
| Producer | John Court |
| Tenor Saxophone | Gene Dinwiddie |
| Trumpet | Keith Johnson |
| Photography | Joel Brodsky |
| Saxophone | Dave Sanborn, Gene Dinwiddie |
| Engineer | Ray Hagerty |
| Cover | William S. Harvey |
Notes
- Clear/white two-tone shell.
- Gold-colored Elektra labels.
- labels stamped "PROMOTION COPY NOT FOR SALE" A and B sides, AUDITION RECORD stamped on back of cover
- Printed in U.S.A.
- "The Butterfield Blues Band" appears on sleeve; "Butterfield Blues Band" appears on labels.
- This release features gold Elektra labels with black writing.
- Tan-coloured Elektra labels.
- Gold Elektra labels.
- Flip back rear cover in black and white, including the title text.
- Unique label - this release features silver Elektra labels with white writing.
- "The Butterfield Blues Band" appears on sleeve; "Butterfield Blues Band" appears on labels. Similar to The Butterfield Blues Band* - The Resurrection Of Pigboy Crabshaw
- Originally released in 1967.
- Manufactured in Great Britain by Polydor Records Limited, London. Original Red Elektra label.
- Flip back cover with seams glued outside.
- "Printed in Australia by Radio Corporation Pty. Ltd." logo on back cover.
- A groscourt production
- A1: Jobete Music BMI
- A2: Travis Music BMI
- A3: Lion Publishing Co. BMI
- A4: East Publ. Co. BMI
- B1, B4: Milkman's Chivaree BMI
- B2: Conrad Music BMI
- B3: Lion Publ. Co. BMI
- B5: not listed
- The Butterfield Blues Band appears on sleeve; Butterfield Blues Band appears on labels.
- This release features Elektra gold label with Stereo printed only once on label above matrix#. Another same catalog # exists with Stereo printed twice on label and other print placement variations.
- Blue Elektra labels.
- This release features Elektra gold label with Stereo printed only once on label below matrix #.
- Columbia, Terre Haute pressed, identified by (CTH) in the deadwax.
- CD housed in a standard, black tray jewel case with a 4-page booklet.
- Label variation Elektra butterfly.
- Japanese first issue which came from Victor.
- With insert incl English lyrics.
- Originally issued with OBI.
- Regular copies have blue labels.
- Promotion copies have red labels.
- Minuscule "RH" in deadwax are engineer Ray Haggerty's initials.
- Original album issued on Elektra LP EKS-74015, November 1967.
- Butterfly Elektra labels.
- Gold label
- Writer credit B5 as on label, all other credits as on back sleeve
- Orange Elektra labels. Fully laminated sleeve.
- Manufactured in Great Britain by Polydor Records Limited, London
- Variation; similiar to The Butterfield Blues Band* - The Resurrection Of Pigboy Crabshaw except this version, back cover bottom left 'printed in USA' logo, also added signature in runouts
- Red "large E" Elektra labels.
- labelled as: (ST-EKS-74 015)
- GEMA sign included
- Made in Germany
- Plain white sleeve, not issued in a cover.
- Titles, credits, release date taken from official Sundazed retail release of this album.
Barcodes
- Matrix / Runout (Runout etching side A): EKL-4015A (mon) "MR" in circle, backwards
- Matrix / Runout (Runout etching side B): EKL-4015B (mon) "MR" in circle
- Matrix / Runout (Side A, etched): EKS-74015-A (AL)
- Matrix / Runout (Side B, etched): EKS-74015-B (AL)
- Rights Society (A1 to B4): BMI
- Matrix / Runout (Runout etching side A): EKL-4015A (CTH)
- Matrix / Runout (Runout etching side B): EKL-4015B (CTH)
- Matrix / Runout (Runout stamp both sides): 0 T
- Rights Society: BIEM
- Other (Droits réservés): DR
- Matrix / Runout (Side 1 (Stamped)): K-42017-A1
- Matrix / Runout (Side 2 (Stamped)): K-42017-B1
- Matrix / Runout (Sides 1 & 2 (Etched)): ∴
- Matrix / Runout (Side A etched runout): EKS-74015 A (AL)
- Matrix / Runout (Side B etched runout): EKS-74015 B (AL)
- Matrix / Runout (Side A, etched): EKS 74015 A (AL)
- Matrix / Runout (Side B, etched): EKS 74015 B (AL)
- Label Code (Side A): EKS-74015-A
- Label Code (Side B): EKS-74015-B
- Barcode: 075597401523
- Matrix / Runout (side A): EKL-4015-A
- Matrix / Runout (side B): EKL-4015-B
- Matrix / Runout (side A): EKS-74015 A
- Matrix / Runout (side B): EKS-74015 B
- Matrix / Runout (Label, Side A): EKS-74015-A
- Matrix / Runout (Label, Side B): EKS-74015-B
- Matrix / Runout (Etched, Side A Runout [MR in circle - stamped]): EKS 74015A (MON) (MR) Δ11269
- Matrix / Runout (Etched, Side A Runout [MR in circle - stamped]): EKS 74015B (MON) (MR) Δ11269-X
- Matrix / Runout (Runout, Etched, Script, Sides One & Two): (small unknown initials looks like By or DW)
- Matrix / Runout (Label Side A): MX164554
- Matrix / Runout (Label Side B): MX164555
- Matrix / Runout (Label, Side One): EKS-74015-A
- Matrix / Runout (Label, Side Two): EKS-74015-B
- Matrix / Runout: EKS-74015-A (CTH) 2
- Matrix / Runout: EKS-74015-B 2 (CTH)
- Pressing Plant ID: (CTH)
- Barcode (Text): 0 7559-60911-2 1
- Matrix / Runout: 2 74015-2 SRC+01 M4S2
- Matrix / Runout (Side A): EKS 74015-A-SP SP
- Matrix / Runout (Side B): EKS 74015-B-SP ESRTD 915-76 SP
- Matrix / Runout (Label Side A): EKS-74015-A
- Matrix / Runout (Label Side B): EKS-74015-B
- Matrix / Runout (Side A - etched): EKS 74015A (AL) RH
- Matrix / Runout (Side B - etched): EKS 74015B (AL) RH
- Barcode: 0 90771-5097-1 0
- Matrix / Runout (SIDE ONE): EKS 74015B (CTA) 2
- Matrix / Runout (SIDE TWO): EKS 74015B 2 (CTA)
- Matrix / Runout (Runout side A handwritten): EKL 4015A (AL 1)
- Matrix / Runout (Runout side B handwritten): EKL 4015B (AL)
- Barcode: 5014757133015
- Matrix / Runout (Side A runout etched): ED 301-A1
- Matrix / Runout (Side B runout etched): ED 301-B1
- Matrix / Runout: EKS-74015-A (AL)
- Matrix / Runout: EKS-74015-B (AL)
- Matrix / Runout (Very light script): ARC 9/9/69
- Matrix / Runout (Side A, runout): 1 Ⓟ 1968 B8 ◇V B 28 599792 A EKS 74015 A
- Matrix / Runout (Side B, runout): 1 Ⓟ 1968 B8 ◇V C 28 599792 B EKS 74015 B
- Rights Society: GEMA
About The Butterfield Blues Band
US American blues rock band, formed in 1963 by .
Real Name
- Paul Butterfield Blues Band
Name Vars
- Butterfield B. B.
- Butterfield Blues Band
- Paul Butterfield Band
- Paul Butterfield Blues Band
- Paul Butterfield's Blues Band
- The Butterfield Blues Band
- The Paul Butterfield Band
Members
- Phillip Wilson
- Trevor Lawrence
- David Sanborn
- Mike Bloomfield
- Paul Butterfield
- Gene Dinwiddie
- Ralph Wash
- Elvin Bishop
- Steve Madaio
- George Davidson
- Mark Naftalin
- Keith Johnson
- Ralph Walsh
- Sam Lay
- Billy Davenport
- Jerome Arnold
- Bugsy Maugh
- Dennis Whitted
- Rod Hicks
- Fred Beckmeier
- Howard R. Feiten
Summary by Abhishek Pandey
Comments
My fave Butterfield. I was lucky to see them live three times in the early 70's in Boston then with Danko much later. They toured constantly, then were no more. I wish I could go back and experience it again with the knowledge and appreciation that I have now. I saw J Geils 6 times, The Band 3 times, Elton John's first Us concert, The Who, Jefferson airplane, Santana, The Dead five times, once with Dylan, Bob Weir band, James gang, Poco, Steve Miller, Jethro Tull, John Mayall twice, John Mclaughlin, Mott the Hoople, Youngbloods three times, Joni Mitchell, McCoy Tyner, George Benson, Stan Getz, and a lot of others. Regret I missed the Stones and Allman Bros. But in those days every concert was a great one and it cost nothing to $10 max. J Geils was the house band at the Boston tea Party and usually opened all the shows.
Playing harp in a Chicago club (Biddy Muligans) when Butter walked in. Asked if he could sit in...and oh...could he borrow a harp? Of course! Mid 70's. Great experience for me...a young harp player at the time makin' my bones and payin' dues.
The Butterfield blues band was playing on a higher level than any other musicians on the planet Steve Miller and his band made a vow not to see Paul Butterfield anymore. He said it was too discouraging
My favorite Butterfield album and one of my favorite albums of all time.
This is far and away the best my phone has ever sounded!!!
Tremendous groove! Blues the best!
I like it a lot. Those horns in the background give it a blues vibe. I like the solo. Not too intricate but original bluesy and a hair psychedelic. The beat is great. Enjoy the riff. Yes, the old stuff smokes the new stuff. No doubt about it.
One of the best harp solos ever. Made me go out and buy one!
Just one of my favorite songs of all time.
monumental in every respect, an album for the ages
The guy who put this up with his stupid comments missed the whole point. Which was the beautiful base. Beautiful by anyone's standards. And then to say that Butter wasn't up to his usual standard of genius? Wish I could say that you were just off your butter or something but I can't.
This is one of the finest modern blues albums recorded. The Driftin; and Driftin' cut is absolutely of the best blues songs ever recorded. The harmonica, smooth organ, wonderful lead sax and of course Elvin Bishop's guitar playing on this song is so inventive, sweet and bluesey. You must listen to this rendition. This level of talent and production combined will never be attained again. MODERN BLUES AT IT"S BEST! One more Heartache is a great example of this album, BUT, you must hear Driftin'......!
My All time favorite! I saw him live twice! Got his autograph when he played in a small venue in San Francisco ❤️
Phenomenol
Just watched Butterfield doc. A unique and peculliar player.
As a bass player one of my favourites, and not 4:4.
As a bass player one of my favourites, and not 4:4.
Probably Butter's best recorded harmonica solo!
Very good Harmonica ?
Unreal;I haven'heard this music since 1968
I got turned on to it at 16, im 65 now, music to my ears
Thanks for the insight Jaime. Just thought the rhythm needed some focus as well. Still tho.....wow.
The guitar solo? Yeah, it's good, But Butterfield's harp solo is genius.
As a bass player of 53 years, I remember learning this bass part back when it was new and I have to be honest the timing on the bass part sincro-ed with the rest of the song is and was amazing! I can play it, but do I understand it, not really. It seems to be 1 beat ahead of the rest of the parts. Maybe someone can clue me in. Pure genius, Bugsy.
They did something special.