Bowley, Wilson and Kendrick - Eat It
Review by De/MindBlast~
The album Eat It by Bowley, Wilson and Kendrick is a unique blend of electronic and experimental music that is sure to captivate listeners. The album features a variety of tracks that showcase the trio's ability to create intricate soundscapes that are both complex and engaging.
One of the standout tracks on the album is "Electric Sheep," which features a driving beat and haunting vocals that create a sense of tension and unease. Another highlight is "Ghosts in the Machine," which combines glitchy electronic elements with atmospheric synths and samples to create a truly immersive listening experience.
Table of Contents
Download
Filename: bowley-wilson-and-kendrick-eat-it.rar- MP3 size: 71 mb
- FLAC size: 534 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Ft. Worth I Love You | 3:22 | |
| Two Years In Ft. Worth Is Worth Ten Years In Leavenworth | 2:29 | |
| Mister Redneck | 2:50 | |
| The Fart Song | 3:29 | |
| American Pie | 13:10 | |
| Jesus Is Just Alright With Me | 4:30 | |
| Two Years in Ft. Worth is Ten Years in Leavenworth | 2:29 | |
| Pot Smoker | 3:37 | |
| Jesus is Just Alright With Me | 4:30 | |
| The Fart Song | 3:29 |
Images
Catalog Numbers
M-2961Labels
MagnoliaListen online
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Formats
- Vinyl
- LP
- 33 ⅓ RPM
- Album
Credits
| Role | Credit |
|---|---|
Notes
- When we first started to record a few Bowley and Wilson songs, John W set up a "recording studio" in his house on Daniels Avenue in University Park (I had a house across the street). He cut a hole in the wall between two bedrooms, put in a pane of glass, and presto, a studio and control room. Old socks, t-shirts, and sneakers were employed for their superior baffling qualities. The first Bowley and Wilson album (actually, Bowley, Wilson and Kendrick) "EAT IT" was recorded there, Quick, convenient, but not really quality. WILSON HAD AN IDEA. "Let's start a recording studio!" he said, using his best Mickey Rooney voice. A partnership was formed between Wilson, Bowley and Jim Wallace (the owner of Up Your Alley), a business plan developed, a loan secured to buy some wonderful Ampex Recording equipment, a great location on McKinney Avenue rented, and HARVEST RECORDING STUDIO was born. The big project was to turn the office/warehouse into a sound studio, and to do it as well as our limited budget would allow....which meant doing most all the construction work ourselves.
- A massive wall was constructed between what was to be the control room and the studio, with double window and to sound-proof it, the double wall was filled with sand to the ceiling (by hand...or should I say back). The walls in the studio were covered with foam panels covered in tasteful fabric in cool colors, drum booths made, a wonderful piano ordered. But the sound was not going to be right, because of the high and metal-beamed ceiling. The sound waves would bounce around like a kid the morning after Halloween. Research at the library gave birth to the solution. We would "FLOAT" a ceiling of individual sheet rock panels hung from hooks we made from a special wire and multiple rubber bumpers which would allow the ceiling to absorb the sound and not let it bounce around. The wire and bumpers had a special construction that had to be done by hand.
- Now, keep in mind that Bowley and Wilson were also performing every night at Up Your Alley, doing the construction during the day. Jim Wallace often stayed at Harvest and worked at night. During one particular night Wallace made great progress with the bumpers and it was time to hang the ceiling, standing on ladders, each of 100 or so panels separately so it could be adjusted, but each overlaped the next. I was in the middle of the room when the job was about 2/3 complete. There a
- was a "creak" at the far end of the room, then, like dominoes, the panels started falling one after the next. Then all came down together with a crash. Being sheet rock (thank god), when the roof fell over me, i just broke right through the middle of a panel and was standing there, covered in white chalk, with the ceiling now at my feet...knocked rather stupid.
- Wallace, the night before, tiring from slowly bending each wire hook, had found that with a much softer lead wire, it bent very quickly and 10 hooks could be made in the time it used to make one. Overlooking, of course, that it would UNBEND JUST AS EASILY YOU PEA-BRAINED IDIOT!!!!! and that is why my f**king neck hurts like hell every morning for the last 36 years, PEA-BRAIN.
Barcodes
- Matrix / Runout: Side 1: M 2961 AR
- Matrix / Runout: Side 2: MAGNOLIA M 2961- B DM 73106 116
