Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca

kano89

Review by Jakub Nowaczyk

Antonio de Cabezón on the organs of Covarrubias and Daroca is a remarkable album that showcases the exceptional talent of the renowned Spanish composer and organist, Antonio de Cabezón. The album features a collection of his most celebrated works, performed on the historic organs of Covarrubias and Daroca by P Paulino Ortiz.

The album offers a unique listening experience that transports the listener to the golden age of Spanish organ music. Ortiz's interpretation of Cabezón's works is nothing short of brilliant, capturing the intricate nuances and subtle tonal variations that make these pieces so special.

One of the standout tracks on the album is the "Tiento del primer tono," which features a breathtaking interplay between the two organs. Ortiz's masterful playing brings out the full range of emotions in Cabezón's music, from the joyous exuberance of "Diferencias sobre el canto llano del Caballero" to the contemplative introspection of "Pavana con su glosa."

Download Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca
Artist: Antonio de Cabezón, P Paulino Ortiz
Album: Antonio de Cabezón on the organs of Covarrubias and Daroca
Rating: 5.0

Table of Contents

Download

Filename: antonio-de-cabezn-p-paulino-ortiz-antonio-de-cabezn-on-the.rar
  • MP3 size: 85.2 mb
  • FLAC size: 613.2 mb

Tracks

TrackDurationPreview
Diferencias Sobre La Gallarda Milanesa
Verso Y Kiries Del Cuarto Tono
D'ou Vient Cela
Diferencias Sobre "El Canto Del Cavallero"
Discante Sobre La Pavana Italiana
Fabordón Del Cuarto Tono
Tiento VIII Del Octavo Tono
Tiento V Del Segundo Tono
Tiento X Del Primer Tono
Tiento IX Del Quinto Tono
Tiento VII Del Cuarto Tono
Tiento III Del Cuarto Tono

Video

History of Spanish Music Volume VIII - Antonio de Cabezón on the Organs of Covarrubias and Daroca

Images

Album herunterladen Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca
ladda ner album Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca
baixar álbum Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca
télécharger l'album Antonio de Cabezón, P Paulino Ortiz - Antonio de Cabezón on the organs of Covarrubias and Daroca

Catalog Numbers

OR 436

Labels

Musical Heritage Society

Listen online

  • ascolta in linea
  • escuchar en línea
  • ouvir online
  • online luisteren
  • kuunnella verkossa
  • lyssna på nätet
  • écouter en ligne
  • online anhören
  • lytte på nettet

Formats

  • Vinyl
  • LP
  • Stereo
  • Gatefold

Credits

RoleCredit
Composed ByAntonio de Cabezón
OrganP. Paulino Ortiz

About Antonio de Cabezón, P Paulino Ortiz

Antonio de Cabezón (1510-1566), Spanish Renaissance composer and organist, the earliest important Spanish composer for the keyboard. He was blind from infancy. Born ca. 1510 in Castrillo Matajudíos (Burgos, Spain). Died March 26, 1566 in Madrid.

Real Name

    • Antonio de Cabezón

Name Vars

  • A. Cabezón
  • A. D. Cabezon
  • A. De Cabezon
  • A. De Cabezon,
  • A. De Cabezón
  • A. de Cabezon
  • A. de Cabezón
  • Antoine De Cabezon
  • Antonio Cabezon
  • Antonio Cabezón
  • Antonio De Cabezon
  • Antonio De Cabezón
  • Antonio De Cabezón (1510-1566)
  • Antonio Decabezón
  • Antonio de Cabezon
  • Antonio de Cabezón?
  • Antonio de Cabeçon
  • Antonion De Cabezon
  • António de Cabezón
  • Cabazon
  • Cabecon
  • Cabezon
  • Cabezón
  • De Cabezon
  • De Cabezòn
  • De Cabezón
  • de Cabezon
  • А. Кабесон
  • А. де Кабесон
  • Антонио Де Кабесон
  • Антонио Де Кабесон(?)
kano89

Summary by Jakub Nowaczyk

Antonio de Cabezón on the organs of Covarrubias and Daroca is a must-listen for anyone interested in the history of Spanish organ music. P Paulino Ortiz's superb playing and the magnificent organs of Covarrubias and Daroca make this album a true masterpiece.

Comments

0:00 - Side 1
1A - Verse And Kyries, 1st Mode
2A - Diferencias Sobre "El Canto Del Cavallero"
3A - Diferencias Sobre La Gallarda Milanesa
4A - Discante Sobre La Pavana Italiana
5A - D'ou Vient Cela
6A - Tiento VIII, 8th Mode

20:30 - Side 2
1B - Fabordón, 4th Mode
2B - Tiento III, 1st Mode
3B - Tiento V, 2nd Mode
4B - Tiento VII, 4th Mode
5B - Tiento X, 1st Mode
6B - Tiento IX, 5th Mode